Sunday, November 6, 2011

Dear Lemon Lima - Movie Poster - 11 x 17 Inch (28cm x 44cm)

  • This poster may have a border as the image contained may not be 11 x 17 inches.
  • This poster measures approx. 11 x 17 inches from corner to corner.
  • Rolled and shipped in a sturdy tube.
  • This poster is from Dear Lemon Lima (2009)
Vanessa gets a dose of reality when Philip, her one true love, ends their relationship, again. The quirky teen enrolls in his school to win him back, but ends up making matters worse. Downgraded to social outcast, Vanessa struggles to reclaim Philip's affection. When Vanessa is declared a captain for the school s survival competition, she assembles a team of like-minded misfits to prove they deserve to compete, and win her love s heart again

Features include:

•MPAA Rating: PG-13
•Format: DVD
•Runtime: 87 minutes
Phil Rosenthal created one of the most successful sitcoms of all-time, Everybody Love! s Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-of-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond! , is a regularly hilarious portrait of culture shock and t! he unive rsal (or not) properties of the TV sitcom. After the U.S. Raymond completed its run, and in the wake of a successful Russian version of The Nanny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs into humorless network executives, a glammed-up costume designer who believes the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye fo! r the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert HortonMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

The Burning Plain: The Shooting Script (Newmarket Shooting Script)

  • ISBN13: 9781557048264
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A major figure in the history of post-Revolutionary literature in Mexico, Juan Rulfo received international acclaim for his brilliant short novel Pedro Páramo (1955) and his collection of short stories El llano en llamas (1953), translated as a collection here in English for the first time. In the transition of Mexican fiction from direct statements of nationalism and social protest to a concentration on cosmopolitanism, the works of Rulfo hold a unique position. These stories of a rural people caught in the play of natural forces are not simply an interior examination of the phenomena of their world; they are written for the larger purpose of showing the actions of humans in broad terms of reality.St! ill reeling after the death of his former lover, criminal defense lawyer Henry Rios unwisely falls for a young actor whom he had successfully defended on trumped-up burglary charges.

But just hours after a date with Rios, the man is brutally murdered--and the trail of circumstantial evidence leads an unscrupulous police detective to Rios' doorstep.  And when a second young man, and then a third, are found dead, Rios must fight not only to exonerate himself, but to save his very life.

Embroiled in his own investigation of the case, Rios exposes an intricate web of blackmail, betrayal, corruption, and violence--a conspiracy that reaches from the Los Angeles criminal courthouse to the studio lots to the mayor's office.  And in the end, Rios knows that one more murder won't make a difference to anyone....Michael Nava has garnered critical and popular acclaim for his mystery stories featuring gay Mexican American detective/lawyer Henry Rios. In the 1996 Th! e Death of Friends Rios's best friend was brutally murde! red. In The Burning Plain, Rios, still recovering from his loss, has taken up with a young man who is also murdered shortly after leaving his home. The police are initially suspicious of Rios, a situation that grows increasingly serious for him after two more young men are killed. Nava is an expert at combining plot and atmosphere, suspense and politics. Like P. D. James and Caleb Carr, Nava beautifully and thoughtfully writes "thinking persons" mysteries. The Burning Plain is that rare book: a cunning mystery and a serious novel.
The official screenplay book to the directorial debut by independent film favorite Guillermo Arriaga (screenwriter of Babel and 21 Grams), starring Charlize Theron and Kim Basinger.

In this multilayered drama from screenwriter Guillermo Arriaga, a mother (Kim Basinger) and daughter (Charlize Theron) try to connect during the young woman’s difficult childhood, with devastating effects for all of the! ir loved ones.

The past and the present have a curious way of affecting each other as several people separated by time and space discover: Mariana, a 16-year-old girl trying to put together the shattered lives of her parents in a Mexican border town; Sylvia, a woman in Portland who must undertake an emotional odyssey to burnish a sin from her past; Gina and Nick, a couple who must deal with an intense and clandestine affair; and Maria, a young girl who helps her parents find forgiveness and love. They will discover that their actions may mean the difference between life and death, as well as their own journeys into seeking redemptionÂ…and whether or not they will find it.

This book also includes an introduction by Arriaga, a color photo section, production notes, and the complete cast and crew credits.

Saturday, November 5, 2011

Appleseed [Blu-ray]

Friday, November 4, 2011

Great Directors: Volume 1 (Dersu Uzala / The Mirror / Les Bonnes Femmes / Il Grido / Circle of Deceit) (5D)

  • GREAT DIRECTORS VOL. 1 (DVD MOVIE)
Ten of the greatest filmmakers in the world passionately discuss their craft in Angela Ismailos' hugely entertaining documentary GREAT DIRECTORS. Bernardo Bertolucci, David Lynch, Todd Haynes, Richard Linklater, Stephen Frears, Agnes Varda, Ken Loach, Liliana Cavani, Todd Haynes and Catherine Breillat open up about their extraordinary careers with unexpected candor and humor. Ismailos gets them to talk about their artistic evolution from their debut works to their recent triumphs, as well as the role that politics and history play in their films. David Lynch discusses how Mel brooks netted him his job on THE ELEPHANT MAN as well as his travails with the studio on DUNE. And the all honor their influnces, from Todd haynes on Fassbinder and Breillat on Ingmar Bergman, to Lynch on Billy Wilder and Hitchcock. GREAT DIRECTORS is an illuminating and surprising cras! h course on the state of contemporary cinema, and an example for where it might be headed.

SPECIAL FEATURES: Over three hours of additional interviews with these award winning directors, promotional trailer.AKIRA KUROSAWA
ANDREI TARKOVSKY
CLAUDE CHABROL
MICHELANGELO ANTONIONI
VOLKER SCHLONDORFF

Akira Kurosawa s DERSU UZALA (1975, Color, 140 Minutes, Letterboxed) Winner of the 1975 Academy Award for Best Foreign Language Film, this Kurosawa epic is a Siberian adventure that features stunningly photographed battles of man dueling nature.

Andrei Tarkovsky s THE MIRROR (1974, Color/B&W, 106 Minutes, Full Frame) Tarkovsky s most personal (and beautiful) work, The Mirror delves into his childhood to conjure up a stream of sublime images that reflect a WWII-scarred youth and a haunted future.

Claude Chabrol s LES BONNES FEMMES (1960, B&W, 93 Minutes, Letterboxed) One of the most erotic and suspenseful treats of the French New Wave, this Chab! rol-helmed classic tracks the loves and stalkers of four prett! y shopgi rls who soon discover the dark side of passion.

Michelangelo Antonioni s IL GRIDO (1957, B&W, 115 Minutes, Full Frame) One of Antonioni s unsung masterpieces, Il Grido is a wrenchingly bittersweet tale of lost love replaced by lust, achieving a tragic poetry unequaled in the great director s illustrious career.

Volker Schlondorff s CIRCLE OF DECEIT (1981, Color, 108 Minutes, Letterboxed) This explosive tale of sex and politics in war-torn Beirut is one of the richest films in Schlöndorff s career. Setting up a minefield of ethical conundrums and personal jealousies, it s a scorching take on the modern media.

Marvel Heroes Collection (Daredevil/Elektra/X-Men/ X2/X-Men 3: The Last Stand/ Fantastic Four & Fantastic Four: Rise of the Silver Surfer)

  • Disc 1: X-MEN; Disc 2: X2 X-MEN UNITED; Disc 3: X-MEN 3:THE LAST STAND; Disc 4: FANTASTIC FOUR;
Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the p! reparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to live a ! normal family life. (That, and whether they'll ever really get! married , of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi

Fantastic Four: Rise of the Silver Surfer Extras


View exclusive clips (including interviews with Fantastic Four Creator Stan Lee and Screenwriter Don Payne), download AIM icons and wallpapers and browse the extensive photo gallery at our Fantastic Four: Rise of the Silver Surfer minisite.










Beyond Fantastic Four: Rise of the Silver Surfer

Fantastic Four Toys & Games

Fantastic Four Paperback Series

Fantastic Four Comics & Graphic Novels


Fantastic Four Video Games

Fantastic Four Posters, Stickers and More

Fantastic Four Apparel

More of the Four on DVD


Fantastic Four Extended Cut

The Fantastic Four Animated Series

Fantastic Four on Blu-Ray



Stills from Fantastic Four: Rise of the Silver Surfer







Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effor! t to save our planet!Fantastic Four: Rise of the Silver Sur! fer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenan! ce.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer… just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi

View Stills from the Blu-Ray's Exclusive Games (Click for larger image):

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Fantastic Four

Jessica Alba, Chris Evans and Michael Chiklis head a sexy, star-powered cast in this explosive adventure about a quartet of flawed, ordinary human beings who suddenly find themselves with extraordinary abilities.

After exposure to cosmic radiation, four astronauts become the most remarkable, if dysfunctional, superheroes of all time. Unfortunately, the mission's ! sponsor has also been transformed ? into the world's most lethal supervillain ? setting the stage for a confrontation of epic proportions. Packed with nonstop action, big laughs and awesome special effects, Fantastic 4 is "powerful fun" (The Baltimore Sun) from start to finish! 

Fantastic Four: Rise of the Silver Surfer

Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!

Daredevil

For Daredevil, justice is blind, and for the guilty?there's hell to pay! Ben Affleck and Jenni! fer Garner ignite dangerous sparks and nonstop thrills in thi! s "dazzl ing action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows him to "see" with superhuman capabilities. But when the love of his life, fiery Elektra Natchios (Garner), is targeted by New York City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.


Fantastic Four

Marvel Comics' first family of superherodom, the Fantastic Four, hits the big screen in a light-hearted and funny adventure. It begins when down-on-his-luck genius Reed Richards (Ioan Gruffudd, Horatio Hornblower) has to enlist the financial and intellectual help from former schoolmate and rival Victor Von Doom! (Julian McMahon, Nip/Tuck) in order to pursue outer-space research into human DNA. Also on the trip are Reed's best friend, Ben Grimm (Michael Chiklis, The Shield); his former lover, Sue Storm (Jessica Alba, Dark Angel, Sin City), who's now Doom's employee and love interest; and her hotshot-pilot brother, Johnny Storm (Chris Evans, Cellular). Things don't go as planned, of course, and the quartet becomes blessed--or is it cursed?--with superhuman powers: flexibility, brute strength, invisibility and projecting force fields, and bursting into flame. Meanwhile, Doom himself is undergoing a transformation.

Among the many entries in the comic-book-movie frenzy, Fantastic Four is refreshing because it doesn't take itself too seriously. Characterization isn't too deep, and the action is a bit sparse until the final reel (like most "first" superhero movies, it has to go through the "how did we get these powers and! what we will do with them" churn). But it's a good-looking c! ast, and original comic-book cocreator Stan Lee makes his most significant Marvel-movie cameo yet, in a speaking role as the FF's steadfast postal carrier, Willie Lumpkin. Newcomers to superhero movies might find the idea of a family with flexibility, strength, invisibility, and force fields a retread of The Incredibles, but Pixar's animated film was very much a tribute to the FF and other heroes of the last 40 years. The irony is that while Fantastic Four is an enjoyable B-grade movie, it's the tribute, The Incredibles, that turned out to be a film for the ages. --David Horiuchi

Fantastic Four: Rise of the Silver Surfer

Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a ! series of cosmic phenomena occurring around the earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor! , and the most angst they suffer is whether Sue and Reed will! ever be able to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi

Daredevil

Darker than its popular comic-book predecessor Spider-Man, the $80 million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, supe! renhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Michael Clarke Duncan) and the psychotic Bullseye (Colin Farrell), who can turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennifer Garner), but their teaming is as shallow as the movie itself, which is peppered with Marvel trivia and cameo appearances (creator Stan Lee, Clerks director and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon

Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are abo! ut to be married when a mysterious alien... the Silver Surfer.! .. crash es the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also! Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzlin! g, but the Surfer looks too metallic, more like a skyriding T-! 1000 rob ot. --David Horiuchi

On the DVD
Are you getting tired of big movies initially coming out on substandard DVDs only to be released in better versions later? No such worries with the Power Cosmic Edition of Fantastic Four: Rise of the Silver Surfer, which delivers the goods. The double-sided disc 1 has both widescreen and full-screen editions of the movie, with two commentary tracks. On the first, director Tim Story talks about FF inside jokes and what had to be cut out of the movie. The second combines producer Avi Arad (has anyone recorded more superhero DVD commentaries?), screenwriter Don Payne, and editors Peter S. Elliot and William Hoy (only the last two sound like they were actually in the room at the same time) covering some of the same ground: comic-book references, special effects, etc. On disc 2 are five extended/deleted scenes (almost 10 minutes total) with commentary by Story, including a longer title sequence and some comic r! elief. "Family Bonds" is a 46-minute "fly on the wall" documentary that follows the crew as they scout locations, test early special effects, and then work with the cast. There's a multi-angle look at the Fantasticar and five featurettes (some of which are more substantial than you'd expect for that term). Topics include the development of the Fantasticar (10 minutes), the Surfer effects (15 minutes), the history of the Surfer in comic books (39 minutes, with interviews of Stan Lee, Jim Starlin, and Ron Marz, and Lee describes himself as his own biggest fan!), the Thing suit (11 minutes), and the music score (four minutes). --David Horiuchi

Fantastic Four: Rise of the Silver Surfer Extras


View exclusive clips (including interviews with Fantastic Four Creator Stan Lee and Screenwriter Don! Payne), download AIM icons and wallpapers and browse the exte! nsive ph oto gallery at our Fantastic Four: Rise of the Silver Surfer minisite.










Beyond Fantastic Four: Rise of the Silver Surfer

Fantastic Four Toys & Games

Fantastic Four Paperback Series

Fantastic Four Comics & Graphic Novels


Fantastic Four Video Games

Fantastic Four Posters, Stickers and More

Fantastic Four Apparel

More of the Four on DVD


Fantastic Four Extended Cut

The Fantastic Four Animated Series

Fantastic Four on Blu-Ray



Stills from Fantastic ! Four: Rise of the Silver Surfer







  • Disc 1: X-MEN WS
  • Disc 2: X2 X-MEN UNITED SE WS
  • Disc 3: X-MEN 3:THE LAST STAND WS
  • Disc 4: FANTASTIC FOUR WS
  • Disc 5: FANTASTIC FOUR 2 WP
  • Disc 6: DAREDEVIL DC WS
  • Disc 7: ELEKTRA WS
  • Disc 8: Fantastic Four: Wor! ld’s Greatest Heroes Volume 1 P&S

Code Name - The Cleaner

  • The laughs fly like bullets in this action comedy about a man with amnesia who can't remember whether he's a super spy.or a janitor.Jake Rogers (Cedric the Entertainer) just woke up in a hotel room next to a dead CIA agent and a briefcase full of money. Things go from bad to worse when his blonde bombshell wife (Nicollette Sheridan) arrives to inform him that he's a Special Forces Operative entan
The laughs fly like bullets in this action comedy about a man with amnesia who can't remember whether he's a super spy...or a janitor. Jake Rogers (Cedric the Entertainer) just woke up in a hotel room next to a dead CIA agent and a briefcase full of money. Things go from bad to worse when his blonde bombshell wife (Nicollette Sheridan) arrives to inform him that he's a Special Forces Operative entangled in a high-level Government conspiracy. But nothing seems to add up as Jake digs deeper into the ca! se. Teaming up with another beauty from a past he can't remember (Lucy Liu), this custodian of comedy needs to get a clue before the bad guys take him out with the trash!Code Name: The Cleaner squeaks by in living up to the reputation of its star, Cedric the Entertainer. The movie does entertain, but just barely and pretty much only because of the skill we've come to expect from Cedric as an entertainer. In another actor's hands, this freewheeling spy spoof could easily have turned into a schizophrenic dud. The movie still has a little split-personality problem between its aspirations to be a tense, Bourne Identity-like thriller or out-and-out comic caper. Fortunately, the entertainer in him gives Cedric the credibility to juggle both genres with only a few dropped balls. When Cedric, as ordinary Joe (maybe) Jake Rodgers, wakes up in a hotel room with amnesia, a dead FBI agent, and a bag stuffed with cash, at least two people show unusual interest in a ! prized missing microchip, the money, and him -- in that order.! Nicolle tte Sheridan is a bit too desperate in claiming to be his housewife as she whisks him "home" to their huge mansion. Showing the first shades of skepticism (and comic brilliance), the still-amnesiac Jake wonders, "I'm rich, I live in a big house and I'm married to a white woman. Am I Lionel Richie?" He also wonders if the gun-toting, butt-kicking Lucy Liu really is his mistress, as she claims to be. It all seems to good to be true. But the bad guys who just want the microchip don't care, and the genuine thriller mayhem and laugh riot gags that fly by don't give Jake much time to think that maybe he is just an ordinary janitor who has wrong-manned his way into a massive spy vs. spy cliche. There are a couple of fantastically funny supporting roles for additional distraction. DeRay Davis steals the spotlight as Jake's wannabe-rapper janitor pal, and Niecy Nash (of Reno 911! fame) also chomps hard on the scenery as a sex-crazed security guard. Food Network fans will get a! n unintended chuckle from seeing Mark Dacascos, the suave and sybaritic "Kitchen Stadium Chairman" from Iron Chef America playing head cheese of the bad guy contingent. In all, it's not worth the audience spending too much time thinking all this through either, especially when Cedric's doing his thing (the clog dance and grandma-spanking scenes are highlights). Maybe someday they'll let Cedric off the thinking leash altogether -- perhaps in Code Name: The Entertainer? --Ted Fry

Cold Turkey (Events Unlimited, Book One)

  • Designer: La Blanca
  • Collection: Encore Event
  • Name: One Piece Lingerie Tank
  • Style: LB2EY10
In an isolation experiment, Martin Lake had been below-ground for fourteen months and two weeks. He came up on May 30, Wednesday, 11:35 AM. He discovered that civilization had folded its arms across its breast, closed its eyes, and ceased.

When natural selection wipes the slate, there are always a few survivors. Unfortunately, nature does not select for beauty or intelligence.

Selection Event follows in the tradition of Earth Abides and The Road. In the aftermath of the catastrophe, this is what happens next. People open zoos, sabotage dams, and in a final nihilistic fling, several countries have a small nuclear exchange of greetings.

It is into this that Martin Lake awakens and has to find his way.

103,000 words
WHAT OTHERS HAVE SAID--

Orson Scott Card, Hugo and Nebula winner: "[Wayne Wightman is] ...one of the names I['ve] learned to look for.... He...is a romantic whose stories confess his belief that individuals can be larger than life, that their decisions can change the world around them."

John Brunner, the legend himself: "Wayne Wightman is agreeable company, both in person and via the printed page. As to the former, I'm afraid you will have to wait the chance to make his acquaintance.... As to the latter, however, now's your chance."

Richard Paul Russo, Philip K. Dick Award winner: "One of Wightman's great strengths is his willingness to go to the edge. He pulls no punches, whether the story is serious or violent or manic. You can count on him to take you places other writers shy away from."In an isolation experiment, Martin Lake had been below-ground for fourteen months and two weeks. He came up on May ! 30, Wednesday, 11:35 AM. He discovered that civilization had f! olded it s arms across its breast, closed its eyes, and ceased.

When natural selection wipes the slate, there are always a few survivors. Unfortunately, nature does not select for beauty or intelligence.

Selection Event follows in the tradition of Earth Abides and The Road. In the aftermath of the catastrophe, this is what happens next. People open zoos, sabotage dams, and in a final nihilistic fling, several countries have a small nuclear exchange of greetings.

It is into this that Martin Lake awakens and has to find his way.

103,000 words

WHAT OTHERS HAVE SAID--

Orson Scott Card, Hugo and Nebula winner: "[Wayne Wightman is] ...one of the names I['ve] learned to look for.... He...is a romantic whose stories confess his belief that individuals can be larger than life, that their decisions can change the world around them."

John Brunner, the legend himself: "Wayne Wightman is agreeable compan! y, both in person and via the printed page. As to the former, I'm afraid you will have to wait the chance to make his acquaintance.... As to the latter, however, now's your chance."

Richard Paul Russo, Philip K. Dick Award winner: "One of Wightman's great strengths is his willingness to go to the edge. He pulls no punches, whether the story is serious or violent or manic. You can count on him to take you places other writers shy away from."One piece tank with adjustable lingerie straps and sweetheart cups.Blush: This is a suggestive romance (love scenes are not graphic) First in Events Unlimited series. When Annike McKinley returns to her Aunt Gerda's home for Thanksgiving she finds the body of Clifford Brody, C.P.A., bleeding all over her aunt's tax receipts. While Sheriff Owen Sarkisian and the crime team track mud through the house, the Service Club of Upper River Gulch Environs (the SCOURGEs) sticks Annike with organizing the town's Thanksgiving weekend ac! tivities, which gives her the opportunity to investigate the m! urder on her own to clear the chief suspectâ€"her beloved aunt. She's soon up to her neck in pancake breakfasts, pie-eating contests, community dinnersâ€"and a raffle prize that threatens to take over her life.After ordering Annike to stop interfering, Sarkisian is forced to beg the aid of her accounting skills to help unravel the case. She keeps a tight rein on her growing enjoyment of his company, though, for as the widow of a former sheriff of the county she is determined not to get romantically involved with another law officer. Then one of the suspects is found dead, stripped to his boxers and socks in a vat of apricot brandy. Before the murderer is captured, both Annike and Sarkisian narrowly avoid adding to the body countBlush: This is a suggestive romance (love scenes are not graphic) First in Events Unlimited series. When Annike McKinley returns to her Aunt Gerda's home for Thanksgiving she finds the body of Clifford Brody, C.P.A., bleeding all over her aunt's tax receipts.! While Sheriff Owen Sarkisian and the crime team track mud through the house, the Service Club of Upper River Gulch Environs (the SCOURGEs) sticks Annike with organizing the town's Thanksgiving weekend activities, which gives her the opportunity to investigate the murder on her own to clear the chief suspectâ€"her beloved aunt. She's soon up to her neck in pancake breakfasts, pie-eating contests, community dinnersâ€"and a raffle prize that threatens to take over her life.After ordering Annike to stop interfering, Sarkisian is forced to beg the aid of her accounting skills to help unravel the case. She keeps a tight rein on her growing enjoyment of his company, though, for as the widow of a former sheriff of the county she is determined not to get romantically involved with another law officer. Then one of the suspects is found dead, stripped to his boxers and socks in a vat of apricot brandy. Before the murderer is captured, both Annike and Sarkisian narrowly avoid adding t! o the body count
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