Monday, November 28, 2011

The Hunting of the President: The Ten-Year Campaign to Destroy Bill and Hillary Clinton

  • ISBN13: 9780312273194
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
When Hillary Clinton spoke of "a vast right-wing conspiracy" determined to bring down the president, many people dismissed the idea. Yet if the first lady's accusation was exaggerated, the facts that have since emerged point toward a covert and often concerted effort by Bill Clinton's enemies--abetted by his own reckless behavior--which led inexorably to impeachment. Clinton's foes launched a cascade of well-financed attacks that undermined American democracy and nearly destroyed the Clinton presidency.

In vivid prose, Joe Conason and Gene Lyons, two award-winning veteran journalists, identify the antagonists, reveal their tactics, trace the millions of dollars that subsidized them, and ! examine how and why mainstream news organizations aided those who were determined to bring down Bill Clinton, The Hunting of the President may very well be the All the President's Men of this political regime.
Unhappy reading for Republicans or political naïfs, The Hunting of the President is the story of a sustained and well-funded effort to discredit and defeat Bill Clinton, dating from his gubernatorial days in Arkansas and eventually leading to his impeachment trial. Award-winning journalists Joe Conason and Gene Lyons have crafted a tale as compulsively readable as a political thriller--paced, and at times worded, like a summer bestseller. Although they provide ample evidence of backstabbing, revenge, deceit, conniving, and "dirty tricks" in the struggle to oust Clinton, arguing that "the better the president and the country did, the more his adversaries appeared willing to endorse almost anything short of assassination to do him in," the! y also acknowledge that Clinton's reckless behavior, along wit! h the "p anicky, defensive, and occasionally less-than-perfectly-honest" responses of the White House press office, didn't hurt his opponents. Investigative journalism at its juiciest, The Hunting of the President is a surprising valediction to a far-from-angelic public leader who often outmaneuvered his enemies with otherworldly skill. --Regina Marler

Crazy Love: Overwhelmed by a Relentless God

Helen's Asian Kitchen Spiral Slicer

  • Spiral slicer
  • Stainless steel blades
  • Quickly turns almost any firm vegetable into continuous spirals
  • Makes spaghetti-like strands, long, flat ribbons or thin slices
  • By Helen's Asian Kitchen
“Ashley Judd’s performance is nothing short of riveting.” â€" The Huffington Post. On the outside, Helen (Ashley Judd) has the perfect life â€" a loving family, a beautiful house and a successful career â€" but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen befriends Mathilda (Lauren Lee Smith), a kindred spirit struggling with bipolar disorder. Together the two find the solace they had been seeking.“Ashley Judd’s performance is nothing short of riveting.” â€" The Huffington Post. On the outside, Helen (Ashley Judd) has the perfect life â€" a loving family, a beautiful house and a successful career â€" ! but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen befriends Mathilda (Lauren Lee Smith), a kindred spirit struggling with bipolar disorder. Together the two find the solace they had been seeking. Academy Award® winner Helen Mirren and two-time Academy Award® nominee Tom Wilkinson star in The Debt, "a pulse-pounding and politically charged suspense thriller." (Karen Durbin, Elle) In 1966, three Mossad agents were assigned to track down a feared Nazi war criminal hiding in East Berlin, a mission accomplished at great risk and personal cost - or was it? Thirty years later, the suspense builds as shocking news and surprising revelations compel retired team member Rachel Singer (Mirren) to take matters into her own hands. Co-starring Sam Worthington, Jessica Chastain and Ciarán Hinds, it's the film critics call "an intelligent thriller with superb performances." (USA Today) Starring: Helen Mirren, Sam Worthington,! Jessica Chastain, Jesper Christensen, Marton Csokas, Ciaran H! inds, To m Wilkinson Directed by: John MaddenThe Debt fuses physical and moral peril as it fuses past and present. In the contemporary half of the story, ex-Mossad agent Rachel Singer (Helen Mirren) tells and retells the story of how she and her fellow agents David Peretz (Ciarán Hinds, Rome) and Stephan Gold (Tom Wilkinson, In the Bedroom) captured and killed a Nazi war criminal. But in flashbacks to Cold War East Berlin, younger versions of Rachel, David, and Stephan (Jessica Chastain, Sam Worthington, and Marton Csokas, respectively) play out a significantly different series of events--and the gap between past and present takes its toll on all three in different (and in one case gut-wrenching) ways. Though Mirren, Hinds, and Wilkinson are a powerhouse trio, it's the Cold War scenes that take hold of the viewer. Jesper Christensen (as the Nazi) invests his conversations with Chastain and Worthington with silky insinuation and taunting contempt, building a deva! stating suspense. Fans accustomed to Worthington in his action-movie roles (Avatar, Clash of the Titans) will be surprised by the gentle vulnerability he shows here, but it's Chastain (The Tree of Life) who captures the movie's emotional core. She and Mirren perform a strange collaboration that can only happen in the movies, building a fierce and brittle woman out of their complementary performances. --Bret FetzerAcademy Award® winner Helen Mirren and two-time Academy Award® nominee Tom Wilkinson star in The Debt, "a pulse-pounding and politically charged suspense thriller." (Karen Durbin, Elle) In 1966, three Mossad agents were assigned to track down a feared Nazi war criminal hiding in East Berlin, a mission accomplished at great risk and personal cost - or was it? Thirty years later, the suspense builds as shocking news and surprising revelations compel retired team member Rachel Singer (Mirren) to take matters into her own hands. Co-starrin! g Sam Worthington, Jessica Chastain and Ciarán Hinds, it's th! e film c ritics call "an intelligent thriller with superb performances." (USA Today) Starring: Helen Mirren, Sam Worthington, Jessica Chastain, Jesper Christensen, Marton Csokas, Ciaran Hinds, Tom Wilkinson Directed by: John MaddenThe Debt fuses physical and moral peril as it fuses past and present. In the contemporary half of the story, ex-Mossad agent Rachel Singer (Helen Mirren) tells and retells the story of how she and her fellow agents David Peretz (Ciarán Hinds, Rome) and Stephan Gold (Tom Wilkinson, In the Bedroom) captured and killed a Nazi war criminal. But in flashbacks to Cold War East Berlin, younger versions of Rachel, David, and Stephan (Jessica Chastain, Sam Worthington, and Marton Csokas, respectively) play out a significantly different series of events--and the gap between past and present takes its toll on all three in different (and in one case gut-wrenching) ways. Though Mirren, Hinds, and Wilkinson are a powerhouse trio, it's the Cold War ! scenes that take hold of the viewer. Jesper Christensen (as the Nazi) invests his conversations with Chastain and Worthington with silky insinuation and taunting contempt, building a devastating suspense. Fans accustomed to Worthington in his action-movie roles (Avatar, Clash of the Titans) will be surprised by the gentle vulnerability he shows here, but it's Chastain (The Tree of Life) who captures the movie's emotional core. She and Mirren perform a strange collaboration that can only happen in the movies, building a fierce and brittle woman out of their complementary performances. --Bret FetzerThe Spiral Slicer, by Helen's Asian Kitchen, quickly turns almost any firm vegetable into continuous spirals; makes spaghetti-like strands, long, flat ribbons or thin slices. Features include an easy to use turn lever on top, clear bottom food receptacle and sharp, long lasting stainless steel blades.

Bent: The Play

  • Published by Applause Books 80 Pages
  • The Play by Martin Sherman
  • Author: Martin Sherman
Renowned British stage director Sean Mathias directs Martin Sherman's "powerful and provocative" (The New York Times) screenplay about one man's struggle to maintain his dignity while imprisoned in a Nazi concentration camp. Featuring exceptional performances by Lothaire Bluteau (Black Robe), Clive Owen (Gosford Park), Brian Webber, Ian McKellen (The Lord of the Rings: TheFellowship of the Ring) and Mick Jagger, Bent will "grab filmgoers by the heart" (Rex Reed)! Max (Owen) is a handsome young man who, after a fateful tryst with a German soldier, is forced to run for his life. Pursued and captured, Max is placed in a concentration camp where he pretends to be Jewishbecause in the eyes of the Nazis, gays are the lowest form of human being. But it takes a forbidden relationship with an openly! gay prisoner to teach Max that without the love of another, life is not worth living.Bent debuted onstage in 1979 with Ian McKellen starring in the London production and Richard Gere in its later Broadway version. The film version is adapted by the playwright, Martin Sherman, and closely follows his play's story of two gay concentration camp victims who are sent to Dachau and who fall in love, using their relationship as an emotional crutch in their efforts to rebuff the horror of the Holocaust. Max (Clive Owen), would rather wear a yellow star and proclaim himself a Jew than be lanced with the pink triangle that designates homosexuality. Horst, (Lothaire Bluteau) chastises him for his homophobia. Later the tables turn on Max, who finds--through Horst--the strength both to keep alive indefinitely and to ultimately embrace his sexual identity.

Initially set in a war-ravaged Berlin, Bent is directed by Sean Mathias, who first directed Jude Law in Indiscretions, and he has crafted a film that reminds on! e of Ian McKellen's Richard III with its spare, stylized, and stark world bombed into rubble and chic theatrical disarray. There are many poignant as well as harrowing scenes, and the result is a somber work that stands as a reminder that intolerance cannot overtake individualism and love. While Bent received an NC-17 rating for depicting Berlin's decadent, anything-goes-for-a-price nightlife, MGM opted not to edit out the tone-setting prelude and pushed to preserve the film's integrity despite a rating that is itself a kind of death for any film that bears it. --Paula NechakSpecial two CD edition of the Electronic outfit's 'best of' includes a bonus CD containing eight rare and previously unreleased tracks. This collection is a celebration of their first 10 years and serves as a reminder to every one of what Bent has achieved and how they helped shape the Electronic '00's. Bent has a huge fanbase, including strong support from the press, and everyone agr! ees that Bent's downbeat, emotional Electronica is irresistible. In 1999, they released their debut album Program For Love and since then, the band have gone on to produce a further three albums (Everlasting Blink, Ariels and Intercept), selling over 350,000 copies. Their music has appeared on adverts for Vodafone, Carleberg, Volkswagen, Nissan, Absolute and the Inland Revenue. They also have celebrity fans as diverse as Elton John, Michael Caine and Nicole Kidman. 22 tracks. 2009.Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to! the genocide of Jews, gypsies, and handicapped, and continued! to be i mprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

Disney Nature Earth

  • An epicstory of adventure, starring some of the most magnificent andcourageous creatures alive, awaits you in EARTH. Disneynature bringsyou a remarkable story of three animal families on a journey across ourplanet -- polar bears, elephants and humpback whales. Filmed withspectacular clarity and beauty, EARTH is both majestic and intimate asit captures rare footage of nature's wildest and most elus
Where do we come from? Who created us? Why are we here? These questions have puzzled us since the dawn of time, but when it became apparent to Jon Stewart and the writers of The Daily Show that the world was about to end, they embarked on a massive mission to write a book that summed up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture -- all in a tome of 238 pages with lots of color photos, graphs and charts. !

After two weeks of hard work, they had their book. EARTH (The Book) is the definitive guide to our species. With their trademark wit, irreverence, and intelligence, Stewart and his team posthumously answer all of life's most hard-hitting questions, completely unburdened by objectivity, journalistic integrity, or even accuracy.The long-awaited new novel by the award-winning, bestselling author of Startide Rising and The Uplift War--an epic novel set fifty years from tomorrow, a carefully-reasoned, scientifically faithful tale of the fate of our world. "One hell of a novel . . . has what sci-fi readers want these days; intelligence, action, and an epic scale".--Isaac Asimov's Science Fiction Magazine. Line drawings.A visual odyssey that will change the way we see our planet, this remarkable book, companion to the acclaimed Discovery Channel/ BBC series, is an enduring and awe-inspiring record of one of the most ambitious natural history projects ever undertaken. Usi! ng the latest aerial surveillance, state-of-the-art cameras, a! nd high definition technology, the creators of Planet Earth have assembled more than 400 stunning photographs of wondrous natural landscapes from around the globe, including incredible footage of the rarely spotted, almost mythical creatures that live in these habitats. Many of the images reveal inaccessible places that few have seen and record animal behavior that has never been filmed or photographed before. With the help of this highly advanced technology and the world's premier wildlife photographers, the book takes us on a spectacular journey from the world's greatest rivers and impressive gorges, to its mightiest mountains, hidden caves and caverns, and vast deserts. Planet Earth captures breathtaking sequences of predators and their prey, lush vistas of forests viewed from the tops of towering trees, the oceans and their mysterious creatures viewed from beneath the surface, and much more--in a magnificent adventure that brings unknown wonders of the natural worl! d into our living rooms.
Copub: BBC Worldwide Americas In the best-selling tradition of Smithsonian Animal, this extraordinary survey of our planet provides unrivaled insight into the forces and processes that formed our environment and which continue to influence its evolution. With thousands of breathtaking photographs and unique visual catalogues of the features and phenomena that take place on Earth -- such as rocks, minerals, and mountains to tropical rain forests and the different types of clouds -- Earth contains the most up-to-date ideas on how our world works, a compelling review on the health of the planet, and unbelievable images of the world's most stunning features.Embraced worldwide as key spiritual teachers of our times, the Pleiadians are back, with another bold and controversial look at our highest purpose on Earth. Earth: Pleiadian Keys to the Living Library is their handbook to inspired living, calling on us to restore and return value! to the human being, and to recognize the Goddess energies and! the pow er of blood as connections to our DNA and our heritage.

Using wit, wisdom, and deep compassion, they entice us to explore the corridors of time through the concept of the Game Masters; to awaken the crucial codes for multidimensional perspective; and to redream the Living Library of Earth. Their teachings are significantly arranged in twelve chapters to trigger a deeper understanding of our ancestral lineage. Earth probes the memories hidden deep within us to reveal our crucial roles in the transformational process unfolding in our times.An epic story of adventure, starring some of the most magnificent and courageous creatures alive, awaits you in EARTH. Disneynature brings you a remarkable story of three animal families on a journey across our planet -- polar bears, elephants and humpback whales. Filmed with spectacular clarity and beauty, EARTH is both majestic and intimate as it captures rare footage of nature's wildest and most elusive animals. From! the landmark Disneynature collection, EARTH is an astonishing and heartwarming film filled with adventure, suspense and humor that will take your breath away.

A nature documentary compiled from the vast footage of the BBC's and The Discovery Channel's Planet Earth series and produced by award-winning British producer and director Alastair Fothergill and Mark Linfield, Earth is the first nature film from the newly formed Disneynature--a Disney independent film label dedicated to bringing high impact wildlife and environmental films to theaters. James Earl Jones narrates this US version of the 96-minute documentary film (the English and German version are narrated by Patrick Stewart and Ulrich Tukur, respectively) which follows families of arctic polar bears, African elephants, and humpback whales for an entire year. The film tracks the animals' migrations across the globe and through some of the harshest terrains and climates on earth, pointing ou! t in a factual and remarkably non-political way the negative e! ffects o f global warming and habitat destruction on these animals and the planet as a whole. Selected from the over 4,000 days of cinematography that went into the making of Planet Earth, every image is breathtakingly spectacular (especially the first-ever aerial footage of Mount Everest) and Jones' concise narration is engaging and packed with information. What makes this film different from Planet Earth, besides the obvious shorter run-time, is the sense of story that permeates this film. While children and others disinclined toward factual documentaries or nature films might find Planet Earth overly long and somewhat dry, Earth views more like an entertainingly touching story about several animal families. The first story begins with an adorable look at two 2-month-old polar bears and their first encounter with the snow and ice outside their den. Viewers of all ages will raptly follow their long trek with their mother across the ice to the water's edge! to find food. Danger looms in many places and the polar bears' father's desperate attempts to find food on the ice turn perilous when he ends up stranded in the icy water and is forced to swim to shore where he's outnumbered by fiercely protective walruses. Footage of over 42 kinds of strange and beautiful New Guinea birds of paradise is rich with their breathtaking sounds and colors as well as the trees, fungi, flowers, and plants of tropical rainforest they inhabit. In stark contrast to the moisture-rich tropical rainforests that cover a mere 3% of the earth's surface, but support about 50% of the planet's animals and plants, are the dry lands of the Kalahari desert of South Africa where we meet the African elephants. The elephants' epic quest for food and water leads a mother elephant and her baby across vast prairies, savannahs, grasslands, and barren desert to inland deltas and water holes where they are forced into a tense and fragile alliance with a variety of other! animals including their natural predators. Frighteningly real! (though not gory) footage of lions attacking the elephants may well scare or disturb young children and the faint of heart, but it serves as a poignant reminder of the natural circle of life. The humpback whales' long migration across half the globe is similarly fraught with danger, yet full of underwater beauty, just as the Adélie penguins' life in one of the earths' most inhospitable lands also features the unexpected beauty of the striking Aurora Australis lightshow. What tracking a year in the life of all these amazing animals demonstrates is not only the exceptional beauty and strikingly harsh realities of life in the wild, but also the resilience of earth's creatures. (Ages 5 and older) --Tami Horiuchi

Freddy vs. Jason [Blu-ray]

  • The slicer versus the slasher? Two titans of terror going at it mano-a-machete? They re gonna kill each other a lot! The horror (and wicked fun) begins when Freddy realizes he can t haunt dreams because folks no longer fear him. So he enlists Jason to do a little killing on his behalf on Elm Street. Presto, the fear is back and so is Freddy. One problem: Jason isn t about to stop offing people. An
It's the battle everyone's been DYING to see! Teenagers find themselves caught in the middle of a battle between two legendary boogeymen: Jason Voorhees and Freddy Krueger. Who will win in the bloodiest and goriest showdown in history?

DVD Features:
3D Animated Menus
Alternate endings:Alternate opening and Ending
Audio Commentary:Commentary with Director Ronny Yu, Actors Robert Englund (FREDDY) & Ken Kirzinger (JASON)
Comparison Scenes
DVD ROM ! Features
Deleted Scenes:18 Deleted Scenes with optional commentary from Director Ronnie Yu and Executive Producer Douglas Curtis
Documentaries:--Behind the scenes coverage of the films development - including screenwriting, set design, make up, stunts and principle photography --Visual effects exploration
Featurette
Full Screen Version:Both fullscreen and Widescreen on one disc
Interviews
Music Video:Ill Nino "How Can I Live"
Storyboards
TV Spot:Lots of TV spots
Theatrical Trailer

After 11 years in development hell and screenplay drafts by 13 different writers, the long-awaited smackdown of Freddy vs. Jason finally arrives. After making their respective debuts in Friday the 13th (1980) and A Nightmare on Elm Street (1984), the hockey-masked killer Jason Voorhees (Ken Kirzinger, replacing long-time Jason performer Kane Hodder) and razor-gloved Freddy Kr! ueger (Robert Englund) square off in a slasher-franchise combo! -deal th at only their most devoted fans will appreciate; turns out this is a lightweight match in which nobody wins. It's an average entry in the histories of these horror icons, comparable to half of their previous sequels, and Bride of Chucky director Ronny Yu satisfies purists with plenty of gushing blood and mayhem when Freddy recruits Jason to slice 'n' dice the ill-fated teens who've forgotten Freddy's once-formidable reign of terror. While it logically connects the gruesome legacies of Nightmare's Elm Street and Friday's Camp Crystal Lake, this horror hybrid is shockingly uninspired. It briefly peaks when Freddy gives the unconscious Jason a dream-world pummeling, but their ultimate showdown's a draw. In the immortal words of Peggy Lee, is that all there is? --Jeff ShannonThe slicer versus the slasher? Two titans of terror going at it mano-a-machete? They’re gonna kill each other a lot! The horror (and wicked fun) begins when Freddy realizes he c! an’t haunt dreams because folks no longer fear him. So he enlists Jason to do a little killing on his behalf on Elm Street. Presto, the fear is back â€" and so is Freddy. One problem: Jason isn’t about to stop offing people. And another: Freddy isn’t about to let Jason rule Elm Street. This means war. Freddy Vs. Jason. Winner kills all.After 11 years in development hell and screenplay drafts by 13 different writers, the long-awaited smackdown of Freddy vs. Jason finally arrives. After making their respective debuts in Friday the 13th (1980) and A Nightmare on Elm Street (1984), the hockey-masked killer Jason Voorhees (Ken Kirzinger, replacing long-time Jason performer Kane Hodder) and razor-gloved Freddy Krueger (Robert Englund) square off in a slasher-franchise combo-deal that only their most devoted fans will appreciate; turns out this is a lightweight match in which nobody wins. It's an average entry in the histories of these horror icons, comp! arable to half of their previous sequels, and Bride of Chuc! ky d irector Ronny Yu satisfies purists with plenty of gushing blood and mayhem when Freddy recruits Jason to slice 'n' dice the ill-fated teens who've forgotten Freddy's once-formidable reign of terror. While it logically connects the gruesome legacies of Nightmare's Elm Street and Friday's Camp Crystal Lake, this horror hybrid is shockingly uninspired. It briefly peaks when Freddy gives the unconscious Jason a dream-world pummeling, but their ultimate showdown's a draw. In the immortal words of Peggy Lee, is that all there is? --Jeff Shannon

Frailty

  • DVD Details: Actors: Luke Askew, Brad Berryhill, Powers Boothe, Vincent Chase, Derk Cheetwood
  • Directors: Bill Paxton
  • Format: Anamorphic, Closed-captioned, Color, DVD, Widescreen, NTSC Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 1.85:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: September 17, 2002; Run Time: 100 minutes
Fenton Meiks arrives at an FBI office with information about the God's Hands killer, a religious fanatic who thinks he is on a mission from God to rid the world of \demons" posing as humans; Fenton believes that his father and now his brother are the killers.
Genre: Horror
Rating: R
Release Date: 17-SEP-2002
Media Type: DVD"""Steeped in gloomy atmosphere, Frailty locates its horror in the tyranny of religious fanaticism. Making an assured directorial debut, actor Bill Paxton c! ostars as a Texas widower who believes God has recruited him to destroy demons in human form. Feeling divinely justified in committing a series of ax murders (discreetly unseen), he urges his two young sons to assist him in the killings--a living nightmare recalled in flashback by one of the now-adult sons (Matthew McConaughey) to the FBI agent (Powers Boothe) who's investigating the murders. But mystery is of secondary importance in Brent Hanley's cleverly twisting screenplay; Frailty suggests, with unsettling subtlety, that Paxton's mission may not be delusional, thus burdening his deadly wrath with spiritually disturbing significance. It's definitely not a feel-good film, but with celebrity endorsements by Stephen King and directors James Cameron and Sam Raimi (who both made films with Paxton), Frailty gets under the skin with insidious efficiency. --Jeff Shannon

Hot Rods to Hell

  • The Phillips Family is chased by rowdy teenagers on their way through California. Runtime: 92 mins Format: DVD MOVIE Genre: TELEVISION Rating: NR Age: 012569797284 UPC: 012569797284 Manufacturer No: 79728
Andy Samberg stars as Rod Kimble, a stuntman with a fake mustache and a dream, in this outrageous comedy so unpredictable you won't know what hit you! Rod has never landed a jump without wiping out. His family and friends think he's a joke. And, to top it off, his stepfather Frank uses him as his own personal pinching bag. But he's not going to let a few minor problems keep him from the biggest stunt of his life!

Co-starring Isla Fisher and Ian McShane, Hot Rod is "very, very funny from start to finish" and scales the heights of hilarity as Rod defies death to win the money, win the girl and, ultimately, win some respect. After making a name for himself on SNL through a! series of shorts, particularly viral video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod i! s the kind of slapdash comedy that neglects to provide its her! o with a n age, a job, or even a hometown. But don't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â€" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass. After making a name for himself on SNL through a series of shorts, particul! arly viral video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash come! dy that neglects to provide its hero with an age, a job, or ev! en a hom etown. But don't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â€" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass.After making a name for himself on SNL through a series of shorts, particularly viral video favorite "Lazy Sun! day," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash comedy that neglects to provide its hero with an age,! a job, or even a hometown. But don't count Samberg out. Given! time, h e may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyStudio: Victor Multimedia-05 Release Date: 10/16/2007 Run time: 60 minutesLike something that rolled out of a garage in Andy Hardy's hometown of Carvel Indiana comes Hot Rod. James Lydon (whose radio and film portrayals of Henry Aldrich were perhaps but a half-block removed from Andy) stars as David Langham, an enterprising youth with an eye for the girls and an ear for a well-tuned high-compression machine. And his dad? He's a sagacious font of advice (Art Baker) who happens to be a small town judge. The film, which combines the excitement of tire-singing speed with a cautionary message about the perils ! of street racing, would see a stream of redlining exploitation flicks in its rearview, Hot Rod Girl, Hot Rod Gang and Hot Rods to Hell among them.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

HOT RODS TO HELL - DVD Movie
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