Ancient Mysteries - The Black Death

• What is the Black Death? Where did it come from? Scientists still do not know the origins of this deadly plague. Appearing miraculously in 542 A.D., the devastating outbreak claimed 100 million lives. Winding its way from Egypt, through Asia Minor and into Europe, the devastation lasted 52 years and disappeared as mysteriously as it arrived. Many believed that the plague was sent from God as punis

The year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. There are rumors of a village hidden in marshland that the plague cannot reach. There is talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. Joined by a young monk and a small consort of soldiers, the journey ahead will lead them ! into the heart of darkness where faith is challenged and put to the ultimate test.A potent combination of medieval combat and religious paranoia, Black Death serves as an outstanding example of how a genre film can smuggle in some surprisingly mature themes without missing a kinetic step. Set during the late 14th century, Dario Poloni's script follows a young monk (Eddie Redmayne) struggling with his faith as the bubonic plague runs rampant through Europe. As he contemplates fleeing England for a forbidden romance, he is tasked with leading a team of bishop-appointed mercenaries (led by Sean Bean) on their search for a rumored necromancer in the wilderness. After the group hacks their way through packs of infected marauders and nonbelievers, their search finally leads them to a pastoral town mysteriously free of the disease. When the town's beautiful leader (Carice van Houten) displays what appears to be mystical healing powers, the monk must decide which side God is! truly on. Director Christopher Smith, previously responsible ! for the commendably bent time-travel saga Triangle, creates a fantastically earthy environment for the film's increasingly supernatural possibilities to take hold. Bolstered by Bean's commanding performance, this is a terrifically grim--and occasionally terribly gory--action film that delivers an unsettling sting in its tail. --Andrew WrightThe year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. There are rumors of a village hidden in marshland that the plague cannot reach. There is talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. Joined by a young monk and a small consort of soldiers, the journey ahead will lead them into the heart of darkness where faith is challenged and put to the ultimate test.A potent combination of medieval combat and religious ! paranoia, Black Death serves as an outstanding example of how a genre film can smuggle in some surprisingly mature themes without missing a kinetic step. Set during the late 14th century, Dario Poloni's script follows a young monk (Eddie Redmayne) struggling with his faith as the bubonic plague runs rampant through Europe. As he contemplates fleeing England for a forbidden romance, he is tasked with leading a team of bishop-appointed mercenaries (led by Sean Bean) on their search for a rumored necromancer in the wilderness. After the group hacks their way through packs of infected marauders and nonbelievers, their search finally leads them to a pastoral town mysteriously free of the disease. When the town's beautiful leader (Carice van Houten) displays what appears to be mystical healing powers, the monk must decide which side God is truly on. Director Christopher Smith, previously responsible for the commendably bent time-travel saga Triangle, creates a fanta! stically earthy environment for the film's increasingly supern! atural p ossibilities to take hold. Bolstered by Bean's commanding performance, this is a terrifically grim--and occasionally terribly gory--action film that delivers an unsettling sting in its tail. --Andrew Wright

La moria grandissima began its terrible journey across the European and Asian continents in 1347, leaving unimaginable devastation in its wake. Five years later, twenty-five million people were dead, felled by the scourge that would come to be called the Black Death. The Great Mortality is the extraordinary epic account of the worst natural disaster in European history -- a drama of courage, cowardice, misery, madness, and sacrifice that brilliantly illuminates humankind's darkest days when an old world ended and a new world was born.

A book chronicling one of the worst human disasters in recorded history really has no business being entertaining. But John Kelly's The Great Mortality is a page-turner despite its grim subject matter and g! raphic detail. Credit Kelly's animated prose and uncanny ability to drop his reader smack in the middle of the 14th century, as a heretofore unknown menace stalks Eurasia from "from the China Sea to the sleepy fishing villages of coastal Portugal [producing] suffering and death on a scale that, even after two world wars and twenty-seven million AIDS deaths worldwide, remains astonishing." Take Kelly's vivid description of London in the fall of 1348: "A nighttime walk across Medieval London would probably take only twenty minutes or so, but traversing the daytime city was a different matter.... Imagine a shopping mall where everyone shouts, no one washes, front teeth are uncommon and the shopping music is provided by the slaughterhouse up the road." Yikes, and that's before just about everything with a pulse starts dying and piling up in the streets, reducing the population of Europe by anywhere from a third to 60 percent in a few short years. In addition to taking readers o! n a walking tour through plague-ravaged Europe, Kelly heaps on! the anc illary information and every last bit of it is captivating. We get a thorough breakdown of the three types of plagues that prey on humans; a detailed account of how the plague traveled from nation to nation (initially by boat via flea-infested rats); how floods (and the appalling hygiene of medieval people) made Europe so susceptible to the disease; how the plague triggered a new social hierarchy favoring women and the proletariat but also sparked vicious anti-Semitism; and especially, how the plague forever changed the way people viewed the church. Engrossing, accessible, and brimming with first-hand accounts drawn from the Middle Ages, The Great Mortality illuminates and inspires. History just doesn't get better than that. --Kim HughesWhat is the Black Death? Where did it come from? Scientists still do not know the origins of this deadly plague. Appearing miraculously in 542 A.D., the devastating outbreak claimed 100 million lives. Winding its way from Egypt,! through Asia Minor and into Europe, the devastation lasted 52 years and disappeared as mysteriously as it arrived. Many believed that the plague was sent from God as punishment for the world's sins. How was the cure for the plague finally discovered? Is it still with us today? These are some of the many questions we will explore in this program.

The Second Duchess

• ISBN13: 9780451232151
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The first full scale biography of Wallis Simpson to be written by a woman, exploring the mind of one of the most glamorous and reviled figures of the Twentieth Century, a character who played prominently in the blockbuster film The King’s Speech.

 

This is the story of the American divorcee notorious for allegedly seducing a British king off his throne.  “That woman,” so called by Queen Elizabeth, The Queen Mother, was born Bessie Wallis Warfield in 1896 in Baltimore.  Neither beautiful nor brilliant, she endured an impoverished childhood, which fostered in her a burning desire to rise above her circumstances.

 

Acclaimed biographer Anne Sebba offer! s an eye-opening account of one of the most talked about women of her generation.  It explores the obsessive nature of Simpson’s relationship with Prince Edward, the suggestion that she may have had a Disorder of Sexual Development, and new evidence showing she may never have wanted to marry Edward at all.

 

Since her death, Simpson has become a symbol of female empowerment as well as a style icon.  But her psychology remains an enigma.  Drawing from interviews and newly discovered letters, That Woman shines a light on this captivating and complex woman, an object of fascination that has only grown with the years.

Novella

Alexandra Whitworth is nothing more than a pauper. Once a member of London ’s elite society, she is now shunned because her husband, the late Duke of Hawthorne, has left her with nothing but debt after his death. She has no choice but to resort to drastic measuresâ€"to open her home and host soirees tha! t provide the most carnal of pleasures. For a price. And the M! adam of the Ton soon realizes that her perfect sexual match could already be paying for the pleasure of her touch.

Other Erotic Titles by Liliana Hart
Dane
Thomas
Riley
Cooper
Paradise Disguised
Who's Riding Red?
Dominating GracieNovella

Alexandra Whitworth is nothing more than a pauper. Once a member of London ’s elite society, she is now shunned because her husband, the late Duke of Hawthorne, has left her with nothing but debt after his death. She has no choice but to resort to drastic measuresâ€"to open her home and host soirees that provide the most carnal of pleasures. For a price. And the Madam of the Ton soon realizes that her perfect sexual match could already be paying for the pleasure of her touch.

Other Erotic Titles by Liliana Hart
Dane
Thomas
Riley
Cooper
Paradise Disguised
Who's Riding Red?
Dominating GracieMost people think they know the story of King Edward VIII giving up his throne f! or the woman he loved, Wallis Simpson, in 1936. The truth is: politics and innuendo clouded that story from the very beginning, with the result that few people really understand who The Duke and Duchess of Windsor were and what forces propelled them to their infamous fate.

The Royal W.E. examines the individual and intertwined lives of Wallis and Edward â€" or “W.E.” as they referred to themselves â€" and provides readers with unique glimpses of the real people, as opposed to the sensationalized characters, that were The Duke and Duchess of Windsor.

Through careful study of more than 75 years of rhetoric and scholarship, Victoria Martínez takes on the most controversial charges lodged against the couple (Was Wallis a hermaphrodite? Were the Duke and Duchess Nazi sympathizers?) with candor and evenhandedness. In analyzing the early lives of Wallis and the ex-king and their later relationships with other members of the Royal Family, her approach i! s to deal with all parties as human beings, whose true faults ! â€" thou gh significant â€" were far less sinister than history has led us to believe. Ms. Martínez also addresses the ever-popular subject of the Duchess’s jewels, including new research on the famous 1946 Ednam Lodge jewel heist to dispel the long-held rumors that the Duke and Duchess committed jewel theft and insurance fraud.

The subjects in this book are not always mainstream, well-known, or even consistent with “popular” opinion, and the objective is not to make anyone “like” the couple. Instead, readers will find refreshingly honest and accurate portrayals of W.E. that will help them understand the real people behind the myth and hype.

“Prejudice and preconception are difficult things to set aside, particularly after so many years of negative stories and sordid rumor, but I think readers here will discover an alternative and convincing look at the Duke and Duchess of Windsor. I am sure they would approve and perhaps, just perhaps, the future! may be a little bit kinder to Edward and Wallis because of the efforts of people like Ms. Martínez.” -Greg King, author of The Duchess of Windsor: The Uncommon Life of Wallis Simpson
Most people think they know the story of King Edward VIII giving up his throne for the woman he loved, Wallis Simpson, in 1936. The truth is: politics and innuendo clouded that story from the very beginning, with the result that few people really understand who The Duke and Duchess of Windsor were and what forces propelled them to their infamous fate.

The Royal W.E. examines the individual and intertwined lives of Wallis and Edward â€" or “W.E.” as they referred to themselves â€" and provides readers with unique glimpses of the real people, as opposed to the sensationalized characters, that were The Duke and Duchess of Windsor.

Through careful study of more than 75 years of rhetoric and scholarship, Victoria Martínez takes on the most controversial charges lodged a! gainst the couple (Was Wallis a hermaphrodite? Were the Duke a! nd Duche ss Nazi sympathizers?) with candor and evenhandedness. In analyzing the early lives of Wallis and the ex-king and their later relationships with other members of the Royal Family, her approach is to deal with all parties as human beings, whose true faults â€" though significant â€" were far less sinister than history has led us to believe. Ms. Martínez also addresses the ever-popular subject of the Duchess’s jewels, including new research on the famous 1946 Ednam Lodge jewel heist to dispel the long-held rumors that the Duke and Duchess committed jewel theft and insurance fraud.

The subjects in this book are not always mainstream, well-known, or even consistent with “popular” opinion, and the objective is not to make anyone “like” the couple. Instead, readers will find refreshingly honest and accurate portrayals of W.E. that will help them understand the real people behind the myth and hype.

“Prejudice and preconception are difficult things to se! t aside, particularly after so many years of negative stories and sordid rumor, but I think readers here will discover an alternative and convincing look at the Duke and Duchess of Windsor. I am sure they would approve and perhaps, just perhaps, the future may be a little bit kinder to Edward and Wallis because of the efforts of people like Ms. Martínez.” -Greg King, author of The Duchess of Windsor: The Uncommon Life of Wallis Simpson

As headmistress of the Scarfield Academy for Young Ladies, Miss Charlotte Boscastle is tasked with keeping her charges free from notoriety. But when Charlotte's diary goes missing, she can't imagine having her most intimate secrets fall into the wrong hands.

Although the confessions in the diary he found spark his interest, the Duke of Wynfield has every intention of returning the journal. But when Gideon's encounter with Charlotte takes on an unexpectedly passionate nature, his indiscretion causes a scandal that only marriag! e can cure...

Charlotte, a recent widow, sets out to find ! the perf ect man with whom she can have a single night of pleasure. Little does she know, however, that the man knows more about what she needs than she does. Charlotte is surprised to find a maid named Mary in the duke's chambers, but Mary is more than she seems when she sets out to seduce Charlotte.

This is not a full length novel. It's a short, erotic tale that includes a man as a side character, rather than a hero. The duchess, on the other hand....

Excerpt:

When they came to what she assumed was the duke’s chambers, he stopped, opened the door and stepped to the side. “Mary will be along to assist you,” he said.

“Assist me with what?” Charlotte asked as she stepped into the room. Instead of answering, he closed the door. She wanted to run after him. To bring him back. He obviously knew more than Charlotte did. Charlotte laid her forehead against the door with a heavy thump and muttered, “What do I do now?”

“! I believe he means for you to dress,” a silky voice called from the corner of the room. Charlotte spun quickly, relieved and not relieved all at the same time to find a young woman standing in the corner beside a steaming tub of water. The full bath rested before a crackling fire. “His Grace sent me for your pleasure,” she said with a smile. Charlotte stopped short. She didn’t look like a servant. She looked like a lady. One of odd circumstance, but still a lady.

“You are Mary?”

The lady laughed, a soft sound that moved across Charlotte’s skin like satin. “May I help you disrobe?”

“May I ask what your position within the household is?” Charlotte squeaked.

“I am not a member of the household staff,” she said, shaking her head. Her silky blonde curls danced across her shoulders. “I am here for your pleasure.” She had a voice like a siren and a smile that could sink ships. All gracing the most perfectl! y proportioned figure.

“Yes, you mentioned pleasu! re,” C harlotte murmured. “Do you also attend to the duke’s pleasure?” She pretended to pluck at an errant string on her sleeve. The words sounded waspish even to her own ears.

A tinkling little laugh was the lady’s response. “Do you really want to know the answer to that?”

Did she? Probably not.
Charlotte, a recent widow, sets out to find the perfect man with whom she can have a single night of pleasure. Little does she know, however, that the man knows more about what she needs than she does. Charlotte is surprised to find a maid named Mary in the duke's chambers, but Mary is more than she seems when she sets out to seduce Charlotte.

This is not a full length novel. It's a short, erotic tale that includes a man as a side character, rather than a hero. The duchess, on the other hand....

Excerpt:

When they came to what she assumed was the duke’s chambers, he stopped, opened the door and stepped to the side. “Mary wil! l be along to assist you,” he said.

“Assist me with what?” Charlotte asked as she stepped into the room. Instead of answering, he closed the door. She wanted to run after him. To bring him back. He obviously knew more than Charlotte did. Charlotte laid her forehead against the door with a heavy thump and muttered, “What do I do now?”

“I believe he means for you to dress,” a silky voice called from the corner of the room. Charlotte spun quickly, relieved and not relieved all at the same time to find a young woman standing in the corner beside a steaming tub of water. The full bath rested before a crackling fire. “His Grace sent me for your pleasure,” she said with a smile. Charlotte stopped short. She didn’t look like a servant. She looked like a lady. One of odd circumstance, but still a lady.

“You are Mary?”

The lady laughed, a soft sound that moved across Charlotte’s skin like satin. “May I help you disrobe?”
“May I ask what your position within the household is?”! Charlot te squeaked.

“I am not a member of the household staff,” she said, shaking her head. Her silky blonde curls danced across her shoulders. “I am here for your pleasure.” She had a voice like a siren and a smile that could sink ships. All gracing the most perfectly proportioned figure.

“Yes, you mentioned pleasure,” Charlotte murmured. “Do you also attend to the duke’s pleasure?” She pretended to pluck at an errant string on her sleeve. The words sounded waspish even to her own ears.

A tinkling little laugh was the lady’s response. “Do you really want to know the answer to that?”

Did she? Probably not.
A beautiful duchess mourns for her beloved.
A sun-bronzed merchant returns to claim a birthright.
Disparate souls in need of love and renewal.
Paths cross and the journey begins...

Set in Hampshire England in 1777, AUTUMN DUCHESS tells the story of Antonia, heroine of NOBLE SATYR, and how she emerg! es from utter despair after the death of her husband and soul mate the Duke of Roxton to unexpectedly find love again.A beautiful duchess mourns for her beloved.
A sun-bronzed merchant returns to claim a birthright.
Disparate souls in need of love and renewal.
Paths cross and the journey begins...

Set in Hampshire England in 1777, AUTUMN DUCHESS tells the story of Antonia, heroine of NOBLE SATYR, and how she emerges from utter despair after the death of her husband and soul mate the Duke of Roxton to unexpectedly find love again.A rich, compelling historical novel-and a mystery of royal intrigue.

In a city-state known for magnificence, where love affairs and conspiracies play out amidst brilliant painters, poets and musicians, the powerful and ambitious Alfonso d'Este, duke of Ferrara, takes a new bride. Half of Europe is certain he murdered his first wife, Lucrezia, the luminous child of the Medici. But no one dares accuse him, and no one h! as proof-least of all his second duchess, the far less beautif! ul but d elightfully clever Barbara of Austria.

At first determined to ignore the rumors about her new husband, Barbara embraces the pleasures of the Ferrarese court. Yet wherever she turns she hears whispers of the first duchess's wayward life and mysterious death. Barbara asks questions-a dangerous mistake for a duchess of Ferrara. Suddenly, to save her own life, Barbara has no choice but to risk the duke's terrifying displeasure and discover the truth of Lucrezia's death-or she will share her fate.

God Bless the Child

• Single mother, Theresa Johnson, becomes homeless, loses her job and tries to survive with her young daughter, Hillary, through charities and public shelters. Format: DVD MOVIE Genre: DRAMA Rating: PG-13 Age: 692865282334 UPC: 692865282334 Manufacturer No: E-50164

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-AUG-2006
Media Type: DVDWhen Maggie (Kim Basinger of L.A. Confidential and Batman) comes home to her apartment building one night, she discovers her estranged, drug-addict sister Jenna huddling in the doorway. Jenna promptly abandons her newborn baby with Maggie, who proceeds to raise the child as her own, despite evidence of autism. But as the little girl, Cody, gets older, what seemed to be autism starts to manifest itself in more startling ways. At the same time, a series of child murders are swe! eping the city--murders conducted by a mysterious cult with supernatural matters on their mind. Bless the Child starts promisingly, with subdued, creepy scenes contrasted with more outrageous moments like swarms of computer-generated rats. Fans of religious horror movies will enjoy its twist on The Omen, with an angelic child instead of a demonic one--only the child is still pretty eerie. The special effects go a little overboard towards the end. Jimmy Smits (Price of Glory) costars as an FBI cult chaser, and Rufus Sewell (Dark City, Cold Comfort Farm) gives a pleasantly restrained performance as the charismatic cult leader. Also featuring Christina Ricci as a cult escapee and Ian Holm as a Jesuit priest. --Bret FetzerJADE/BLESS THE CHILD - DVD MovieThe last thing recently-widowed Maggie O'Connor wants is the responsibility of a baby. But when her heroin-addict daughter, Jenna, abandons newborn Cody, Maggie discovers her own mater! nal instincts and love for the child prevail. Then, three and ! a half y ears later, an impeccably groomed Jenna, complete with her new, wealthy husband, Eric Vannier, returns to claim her daughter. On her first visit to Cody's new home, Maggie is horrified to find the child vacant-eyed, subdued and fearful. The police can do nothing - until an anonymous caller reveals the Vanniers' link with a sinister Satanic cult. And as an ancient prophecy turns into reality, it is all too clear that much more than Cody's sanity and safety are at stake...What if your drug-addicted daughter left a newborn baby on your doorstep and disappeared? What if she came back three years later and took the child into a satanic cult? Would you risk your soul to save her?

Maggie O’Connor is about to answer these questions… maybe with her life. She’s too young to be a grandmother. Yet she’ll fight -- not just for little Cody’s custody, but for the child’s life itself.

The law won’t back her up. But the exorcist priest believes. And the ra! bbi who practices Kabbalah knows too much not to believe. And ancient, raging memories of an Egyptian prophecy are rising within her own terrifying dreams.

But time is running out. For everyone wants this child. Even the Devil…
What if your drug-addicted daughter left a newborn baby on your doorstep and disappeared? What if she came back three years later and took the child into a satanic cult? Would you risk your soul to save her?

Maggie O’Connor is about to answer these questions… maybe with her life. She’s too young to be a grandmother. Yet she’ll fight -- not just for little Cody’s custody, but for the child’s life itself.

The law won’t back her up. But the exorcist priest believes. And the rabbi who practices Kabbalah knows too much not to believe. And ancient, raging memories of an Egyptian prophecy are rising within her own terrifying dreams.

But time is running out. For everyone wants this child. Even the Devil…!
GOD BLESS THE CHILD - DVD Movie

An Affair Without End

• ISBN13: 9781439117996
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

If a sophisticated beauty proposes a clandestine affair, could even the most proper gentleman resist? New York Times bestselling author Candace Camp concludes her scintillating Willowmere series with a seductive tale of an alluring lady who dares to break the rules. . . .

When Oliver, Earl of Stewkesbury, asks the dashing Lady Vivian Carlyle to ensure that his American cousins meet the cream of London society, he doesn’t anticipate the danger she will pose to his own self-control. Thrown into intimate contact with the lovely lady, Oliver finds he cannot stop thinking of Vivianâ€"of her wit, of her smile . . . of her lips. And when Vivian, who has sworn never to subject herself to the! bonds of matrimony, boldly suggests that she and Oliver become lovers instead, her scandalous proposal is temptation indeed! But with an alarming series of jewel thefts rocking London, the ever-outrageous Vivian insists on trying to discover the perpetrator despite Oliver’s admonitions. And when a bold lady steps into danger, it is a gentleman’s duty to protect her at all costs. What neither Oliver nor Vivian can anticipate, however, is that the ultimate cost may be both their hearts. . . .

Charlie's Angels [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

Adventure has never been more beautiful than Charlie's Angels! Cameron Diaz, Drew Barrymore and Lucy Liu star as the captivating crime-fighting trio who are masters of disguise, espionage and martial arts. When a devious mastermind embroils them in a plot to destroy individual privacy, the Angels are on the spot with their brains, brawn and high-tech toys. Aided by their loyal sidekick Bosley (Bill Murray), the girls are about to bring down the bad guys when a terrible secret is revealed that makes the Angels a target of assassination. Now, it's a matter of life or death as the stunningly smart detectives use their state-of-the-art skills to kick evil's butt in this sexy, high-octane comedy!For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The ! Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New! Age feminism that has their stars touting their sexuality whi! le being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug ThomasThis five-disc compilation features the entire First Season with the original Angels Farrah Fawcett, Kate Jackson and Jaclyn Smith and all their adventures from one of the most classic shows in television history.

Once upon a time, Jill, Sabrina and Kelly were police officers whose skills were being wasted in menial duties such as answering phones and filing. A mysterious millionaire named Charles Townsend took them away from all that by opening his own private investigation agency and hiring these gorgeous ladies as his operatives with John Bosley acting as their assistant and liaison. America's gui! ltiest pleasure of 1976--the inaugural season of Charlie's Angels--has returned in all its jiggly, jolly glory in this tidy boxed set. It's hard to describe just how captivated the nation's media and viewing public were with cheesemeister Aaron Spelling's ABC-TV hit, but for awhile Charlie's Angels was wildly popular appointment television at its most self-consciously banal. The first season's three (and best-remembered) belles--lioness Farrah Fawcett (then Farrah Fawcett-Majors), pin-up babe Jaclyn Smith, and Thinking Man's beauty Kate Jackson--were something like primetime Spice Girls, gracing countless magazine covers and bestselling posters. The idea (even if a fan of the show didn't happen to be a straight male) was that one was compelled to choose a favorite angel as a kind of ink-blot window onto one's subconscious life.

While the 2000 Angels feature film (starring Cameron Diaz, etc.) kept faith with the original show's self-mockingly sloppy! storytelling, there's nothing like seeing the old episodes fo! r a less on in narrative hubris. Basically, the three leading characters were bored policewomen wooed away to a private firm owned and operated by the unseen sybarite, Charlie (voiced--over speakerphone--by an uncredited John Forsythe). After a long set-up each week, the girls' investigations typically saw them going undercover: as fashion models--no great stretch--in "Night of the Strangler"; nurses in "Terror on Ward One"; roller-derby stars in "Angels on Wheels"; and vulnerable convicts (of course) in "Angels In Chains." The exploitation factor is not as bad as it might have been. The cast was so glamorous, their chemistry so perfect, Charlie's Angels never became a mere meat market. Despite such nods to modernity as Fawcett's no-bra look, the episodes were old-fashioned in their heroine-in-peril appeal, yet there was a difference: The Angels looked out for themselves and each other. --Tom KeoghAnother season of the hit classic series comes to DVD! This season, the A! ngels go on the Love Boat to investigate a major art theft, go back to college to stop a white slavery ring, and find more than just fingerprints when Charlie's yacht is stolen. Jill gets help from the Angels after her date with a crown prince is interrupted by sniper fire, and Kelly meets a man who may be her long-lost father.The Angels continue to fight the bad guys, with Jill’s little sister Kris taking her place and Charlie's voice guiding them all. Stars Jaclyn Smith, Kate Jackson and introducing Cheryl Lad. Includes all 26 episodes from the second season.Charlie's Angels: The Complete Second Season has no shortage of the good-natured cheese and eye candy that made the primetime television show's debut season wildly popular in 1976. The Angels had a new look in their second year: Farrah Fawcett, arguably the most popular of the show's three actresses, departed before the sophomore season and was replaced by another blonde dazzler, Cheryl Ladd. (Ladd's characte! r, Kris Munroe, was the younger sister of Fawcett's Jill Munro! e, whose exit is explained in the premiere episode as a liberated woman's career move: Jill has decided to race cars in Spain.)

No sooner does Kris settle in than a crisis sweeps through off-screen Charlie's private investigation agency. While cavorting on Oahu in the two-part "Angels in Paradise," Charlie is kidnapped by a smuggler (France Nuyen), who demands the Angels break her husband out of jail in exchange for their boss's life. Bubbly Kris, brainy Sabrina Duncan (Kate Jackson), beauteous Kelly Garrett (Jaclyn Smith), and sidekick Bosley (David Doyle) are compelled to soak up rays and sip fruity mixed drinks in Waikiki while fighting crime in various guises, re-establishing, for another season, Charlie's Angels' dramatic and aesthetic game plan for every episode: start slow with lots of idle chatter, put the girls in a ridiculous undercover situation, and get them out of their clothes as much as possible.

The pattern continues in the silly "Angels on Ice," star! ring old hands Phil Silvers and Jim Backus, in which our heroines join an ice show to find out who kidnapped a pair of skaters. "Pretty Angels All in a Row" finds Kelly and Kris reluctant entrants in a "Miss Chrysanthemum Pageant" (no, you won't find Kate Jackson in a swimsuit this year, either) rigged by organized crime. "Circus of Terror," co-starring James Darren, enlists the Angels in the carney life. If there is anything to complain about regarding season 2, it is that the novelty of Charlie's Angels has worn a little thin, and every episode feels the same. Still, there are surprises: "The Sammy Davis Jr. Kidnap Caper" stars the late rat-packer in peril and much bemused by the presence of three comely bodyguards. --Tom KeoghThe Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Dig! ital Studios video, sound and mastering engineers and comes ho! used in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format.For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laugh! s with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug ThomasThree beautiful private detectives who work for a suave playboy boss are called in to rescue soon-to-be billionaire software mo! gul Eric Knox, when he is kidnapped from his office at Knox Te! chnologi es. While rough-and-tumble Alex, wild-child Dylan, and nerdy Natalie use an impressive array of high-tech gadgetry and martial arts moves to retrieve Knox from the clutches of rival Roger Corwin and his goons, they unwittingly become embroiled in a battle to protect the world from a wide-scale invasion of privacy that threatens to occur when good technology falls into the hands of bad people.For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting co! up) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug Thomas

Blue Angels Crossing the Golden Gate Bridge 3 Canvas Print / Canvas Art - Artist Wingsdomain Art ...

• Museum Quality Canvas Print
• Gallery Wrapped on 1.5" Stretcher Bars
• Arrives "Ready to Hang" with Hanging Wire, Mounting Hooks, and Nails
• Available in a Variety of Sizes
• Includes 30-Day Money Back Guarantee

This is a beautiful stretched-canvas print wrapped on 1.5" thick stretcher bars. The print is professionally printed, assembled, and shipped within 2 - 3 business days from our production facility in North Carolina and arrives ready-to-hang on your wall. Fine Art America is home to more than 75,000 artists from all over the world who entrust us to fulfill their print orders online. We offer a 30-day money-back guarantee on every print that we sell and look forward to helping you select your next piece. Keywords: Blue Angels Canvas Print, Blueangels Canvas Print, Fleet Week Canvas Print, San Francisco Fleet Week Canvas Print, San Francisco Canvas Print

Big Fish

• Anamorphic widescreen
• Aprox 125 minutes
• Special Features section
• English/french Subtitles
• Pg 13

Throughout his life Edward Bloom (Ewan McGregor) has always been a man of big appetites, enormous passions and tall tales. In his later years, portrayed by five-time Best Actor Oscar(r) nominee Albert Finney (Best Actor in a Supporting Role, Erin Brockovich, 2000), he remains a huge mystery to his son, William (Billy Crudup). Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures in this marvel of a movie.After a string of mediocre movies, director Tim Burton regains his footing as he shifts from macabre fairy tales to Southern tall tales. Big Fish twines in and out of the oversized stories of Edward Bloom, played as a young man by Ewan McGregor (Moulin Rouge, Down with Lo! ve) and as a dying father by Albert Finney (Tom Jones). Edward's son Will (Billy Crudup, Almost Famous) sits by his father's bedside but has little patience with the old man's fables, because he feels these stories have kept him from knowing who his father really is. Burton dives into Bloom's imagination with zest, sending the determined young man into haunted woods, an idealized Southern town, a traveling circus, and much more. The result is sweet but--thanks to the director's dark and clever sensibility--never saccharine. Also featuring Jessica Lange, Alison Lohman, Helena Bonham Carter, Danny DeVito, and Steve Buscemi. --Bret FetzerThroughout his life Edward Bloom (Ewan McGregor) has always been a man of big appetites, enormous passions and tall tales. In his later years, portrayed by five-time Best Actor Oscar nominee AlbertFinney (Best Actor in a Supporting Role, Erin Brockovich, 2000), he remains a huge mystery to his son, William (Billy Crudu! p). Now, to get to know the real man, Will begins piecing toge! ther a t rue picture of his father from flashbacks of his amazing adventures in this marvel of a movie.After a string of mediocre movies, director Tim Burton regains his footing as he shifts from macabre fairy tales to Southern tall tales. Big Fish twines in and out of the oversized stories of Edward Bloom, played as a young man by Ewan McGregor (Moulin Rouge, Down with Love) and as a dying father by Albert Finney (Tom Jones). Edward's son Will (Billy Crudup, Almost Famous) sits by his father's bedside but has little patience with the old man's fables, because he feels these stories have kept him from knowing who his father really is. Burton dives into Bloom's imagination with zest, sending the determined young man into haunted woods, an idealized Southern town, a traveling circus, and much more. The result is sweet but--thanks to the director's dark and clever sensibility--never saccharine. Also featuring Jessica Lange, Alison Lohman, Helena Bonham Carter, Danny! DeVito, and Steve Buscemi. --Bret FetzerThroughout his life Edward Bloom (Ewan McGregor) has always been a man of big appetites, enormous passions and tall tales. In his later years, portrayed by five-time Best Actor Oscar® nominee Albert Finney (Best Actor in a Supporting Role, Erin Brockovich, 2000), he remains a huge mystery to his son, William (Billy Crudup). Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures in this marvel of a movie.After a string of mediocre movies, director Tim Burton regains his footing as he shifts from macabre fairy tales to Southern tall tales. Big Fish twines in and out of the oversized stories of Edward Bloom, played as a young man by Ewan McGregor (Moulin Rouge, Down with Love) and as a dying father by Albert Finney (Tom Jones). Edward's son Will (Billy Crudup, Almost Famous) sits by his father's bedside but has little patience wit! h the old man's fables, because he feels these stories have ke! pt him f rom knowing who his father really is. Burton dives into Bloom's imagination with zest, sending the determined young man into haunted woods, an idealized Southern town, a traveling circus, and much more. The result is sweet but--thanks to the director's dark and clever sensibility--never saccharine. Also featuring Jessica Lange, Alison Lohman, Helena Bonham Carter, Danny DeVito, and Steve Buscemi. --Bret FetzerThroughout his life Edward Bloom(Ewan McGregor) has always been a man of big appetites, enormous passions and tall tales. In his later years, portrayed by five-time Best Actor Oscar nominee Albert Finney (Best Actor in a Supporting Role, Erin Brockovich, 2000), he remains a huge mystery to his son, William (Billy Crudup). Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures in this margel of a movie.

Rob Zombie 3-Disc Collector's Set

• Format: Box set, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC.
• Language: English.
• Region: Region 1 (U.S. and Canada only).
• Aspect Ratio: 1.85:1.
• Number of discs: 3.

HOUSE OF 1000 CORPSES - DVD MovieIt's sick! It's twisted! It's House of 1,000 Corpses, and it's more fun than a wholesome bowl of "Agatha Crispies"! Dropped by two studios (Universal and MGM) and doomed to obscurity until Lions Gate Films gave it a limited theatrical release, Rob Zombie's gonzo horror flick is a blood-spattered throwback to the gore-fests of the '70s, lending new meaning to the term "box-office gross." Most critics misunderstood this unbridled exercise in graphic style and violence, but for devoted horror buffs it's a refreshing rebuttal to the comparatively "polite" frights of the post-Scream era. While paying homage to The Texas Chainsaw Massacre, ! Last House on the Left, Motel Hell, and other gory classics, Zombie's ramshackle plot (two young couples are terrorized by an inbred family of homicidal maniacs) lacks a crucial sense of dread, but his pastiche of vivid colors, grainy fetish-films, and photo-negative imagery is guaranteed to hold your attention. A bona-fide cult item, this House is definitely worth a visit... if you dare. --Jeff ShannonIncludes HOUSE OF 1,000 CORPSES, THE DEVIL'S REJECTS (unrated version) and Bonus disc including "30 Days in Hell - The Making of THE DEVIL'S REJECTS."