Saturday, November 12, 2011

First Snow in the Woods: A Photographic Fantasy

  • ISBN13: 9780977010868
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Guy Pearce (Memento, L.A. Confidential), Piper Perabo (Coyote Ugly) and JK Simmons (Thank You For Smoking, Spiderman 1-3) star in this intriguing thriller about a man whose life spins out of control after psychic tells him his days are numbered. After his car breaks down in a desolate town, a slick salesman, Jimmy Starks (Pearce), visits a fortune teller (Simmons) to kill some time. But the psychic’s ominous reading sends Jimmy’s life into a tailspin when he learns that his life will soon end, but he is safe at least, until the first snow of the season. Now, with his ultimate fate looming nearer, Jimmy becomes obsessed with revisiting his past in hopes of changing! his destiny before it’s too late. With a thriller as low-key as First Snow, dynamic acting is a must. Fortunately, Guy Pearce (Memento) owns the screen as slick salesman Jimmy Starks. In his first film, Oscar-nominated writer Mark Fergus (Children of Men) forgoes visual effects in favor of an increasingly complex narrative. As in many Stephen King novels, the story centers on the collision between a man of reason and a man of faith--in the supernatural, that is. The foreshadowing begins when Starks visits fortune teller Vacaro (J.K. Simmons, Spider-Man). Starks assumes he's a fellow hustler. Then his every prediction comes true. On a return trip, Vacaro tells him he'll be dead by first snow, but can't say how or when. Should Starks put his affairs in order, enjoy his time with girlfriend Deirdre (Piper Perabo), or just do nothing? Then again, snow seems unlikely for Albuquerque. Over the next few days, several possible culprits come to light, ! like Andy (Rick Gonzalez), an assistant Starks fired, and Vinc! e (Shea Wigham), a partner he sold down the river. Convinced one of them is going to seek revenge, Starks becomes so paranoid he opens the door to disaster. Fergus excels in keeping the tension at a low boil, but he undersells the climax. Still, it's a nice change from all the mysteries that build in intensity before collapsing in a heap of improbabilities. First Snow is rooted in the real world from the first frame to the last. --Kathleen C. Fennessy

The first snow has fallen.
The mice children go sledding
with Grandma and Grandpa.
But at the top of the hill,
who will go first?
Bitty, the smallest mouse,
is scared.
When she tries,

WHEEEEEE,

she finds that sledding is the best!

Caldecott Medalist Emily Arnold McCully captured the chills and thrills of a first sled ride when first snow was published in 1985. She has added words and created new pictures for this handsome larger edition, a compani! on to picnic.

8 songs including: Autumn's End, Breath or Winter, Field of crystal,etc.
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William Shakespeare's Hamlet (Two-Disc Special Edition)

  • Hamlet has the kind of power, energy and excitement that movies can truly exploit,' award-winning actor/director Kenneth Branagh says. In this first-ever full-text film of William Shakespeare's greatest work, the power surges through every scene. The timeless tale of murder, corruption and revenge is reset in an opulent 19th-century world, using sprawling Blenheim Palace as Elsinore and st
The Tragedie of Hamlet, Prince of Denmark - A Study with the Text of the Folio of 1623 is presented here in a high quality paperback edition. This popular classic work by George MacDonald is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of George MacDonald then we highly recommend this publication for your book collection.No Description Available.
Genre: Feature Film-Drama
Rating: UN
Release Date: 14-AUG-2007Media Type: DVDIt's the greatest work of literature, but nobody had ever filmed Hamlet uncut--until Kenneth Branagh went about the task for his lavish 1996 production. The result is a sumptuous, star-studded version that scores a palpable hit on its avowed goal: to make the text as clear and urgent as possible. Branagh himself plays the melancholy son of the Danish court, caught in a famous muddle about whether to seek revenge against his royal father's presumed slayer… the man who now sits on the throne and shares the bed of Hamlet's mother. (Or, as the song "That's Entertainment" summarizes the plot: "A ghost and a prince meet / And everyone winds up mincemeat.") As a director, Branagh (who shot the movie in 70 mm.) uses the vast, cold interiors of a vaguely 19th-century manor to gorgeous effect; the story might scurry down this hallway, into that back chamber, or sprawl out into the enormous main room. With its endless collection of mirrors, the place ! is as big and empty as Citizen Kane's Xanadu.

That ! all work s; what doesn't work is Branagh's tendency to over-direct the big dramatic moments. He indulges in quick cutting and flashbacks as though to fend off the audience's objections to the four-hour running time, and the style sometimes looks like wasted energy. The experienced Shakespearians in the cast come off nicely; Derek Jacobi's Claudius, Richard Briers' Polonius, and Michael Maloney's Laertes are just terrific. Julie Christie is a suitably attractive Gertrude, and Kate Winslet makes the most of Ophelia's mad scenes. Branagh's habit of folding in unexpected American performers is on the mark, too: Billy Crystal is surprisingly good as the Gravedigger, Robin Williams predictably camps up Osric, and Charlton Heston is an inspired choice as the grandiloquent Player King. The biggest irony here is that Branagh himself is not quite spot-on as Hamlet. Of course he speaks the lines beautifully, but Branagh's screen personality radiates certainty and clarity of vision; there's lit! tle of the doubt that might make him Hamlet-esque. Still, tremendous credit for fending off slings and arrows to get the movie made. --Robert Horton

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Boys of Baraka Poster Movie 11x17 Devon Brown Richard Keyser Justin Mackall Romesh Vance

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Boys of Baraka 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Don't miss the true coming-of-age story that follows a group of extraordinary 12-year-old boys from the most violent ghettos of Baltimore to an experimental boarding school 10,000 miles away in rural Kenya. An emotionally explosive journey shot over three years, the film zeroes in on a group of brave kids who are willing to cross the ocean to chase an opportunity - boys with a fierce determination to fight the label of "throw-away."

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.If everyone in high government office saw The Boys of Baraka, who knows what kind of positive change it might inspire? From this remarkable documentary about hope and second chances, the message is clear: The poorest, most violent, undesirable neighborhoods in America are a breeding ground for hopelessness and despair, and there's a solution if only we'd give it a good fighting chance. The scene is Baltimore, Maryland, in 2002, where 76% of all African American boys living in the inner-city ghetto will never earn a high school diploma. As one adult tells the kids at a Baltimore school, they have three choices: jail, an early death, or graduating high school--and you know she's telling the cold, hard truth. That's when we learn of the Baraka School in Kenya, East Africa, where 20 African American boys (ages 12 and 13) are chosen each year to enter a transformative two-year course of schooling, away from their families in Baltimore. The purpose of the school, in part,! is to demonstrate that the toxic environment of Baltimore, an! d its ne gative impact on the self-esteem of ghetto residents, can be reversed by removing these boys to Baraka, where a strict regimen of classes and responsibilities has an immediate, if not always permanent, beneficial effect.

We follow several boys on this fascinating journey toward growth and renewal. Devon is an aspiring preacher with musical talent; Montrey is a troublemaker with a bad attitude, who dreams of a career in science; brother Richard and Romesh are both accepted into Baraka, and despite setbacks both flourish in the program. Codirectors Heidi Ewing and Rachel Grady capture their gradual awakening to a new way of living and a new outlook on life, and then comes bad news: Due to security concerns and regional politics, the Baraka program is suspended, and the boys must return to the bleakness of Baltimore. Have they changed for good? Will they find a way to earn their diplomas and have hope for their futures? The Boys of Baraka offers no easy answers, but ! in showing us a glimmer of hope against all odds, the film gains depth and power with a conditional happy ending. Uncertainty remains, but so does a palpable sense of achievement and self-improvement that could, on a grander scale of government and societal support, lead to a positive revolution in our school system, which currently offers a depressing shortage of options for our most underprivileged citizens. Without forcing its uplifting message, this exceptional documentary offers proof of a better way, if only enough people would step up and support it. --Jeff ShannonIronweed Film Club. This DVD includes: Feature Film * One Short * Directors' commentary interactive menus and DVD extras. The Boys of Baraka Directed by Heidi Ewing and Rachel Grady * 2005 * 84 minutes. Ryan's Well Directed by Lalita Krishna * 2001 * 25 minutes. WINNER best documentary Chicago Int'l Film Festival 2005 WINNER best documentary Newport Int'l film festival 2005.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Boys of Baraka is a 2005 documentary film produced and directed by filmmakers Heidi Ewing and Rachel Grady (both of whom also made Jesus Camp in 2006). Twenty at-risk boys from Baltimore attend the seventh and eighth grades at a boarding school in Kenya. The documentary follows them in Kenya and in Baltimore, before and after attending the Baraka School in Kenya. It also mentions that 76% of African Americans in Baltimore do not graduate High School. Boys of Baraka reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

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Bekaert Barb Wire, 18 Ga 4 Point

  • Bekaert Corp 18Ga 4Pt Barb Wire Class 3 118230
  • BEKAERT CORP - WIRE DIV
BARB WIRE - DVD MovieRemember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a night! club in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Studio: Uni Dist Corp. (mca) Release Date: 02/08/2011 Run time: 99 minutes Rating: RRemember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker! Tommy Lee, at which time the whole world got to compare Pam's! barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson ! in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Remember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she war! ns) who runs a nightclub in the last free city in America. The! rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon The comics series that inspired the movie, Barb Wire is over-the-top, bad-girl action that opened doors for the plethora of today's tough-girl characters. Steel Harbor is a hell of a town, with the emphasis on hell, an urban wasteland of shuttered factories, decaying neighborhoods, and broken dreams. Crime and street violence are the soup of the day every da! y, but if you're a bounty hunter, every day in "Metal City" can be Christmas - assuming you survive, since the worst of the Harbor's most wanted can fly, summon up tornadoes, or tear cars in half with their bare hands. But, a skip's a skip, and manhunter Barb Wire is the best tracker in the business, and no super-gangster is too tough-as long as there's a fat price on his, her, or its head. Beautiful as she is lethal, Barb Wire really puts the "drop dead" in drop-dead gorgeous! Her boots may be made for walking, but they kick butt real pretty!Remember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire repre! sented dubious progress for the busty blonde, who was determin! ed to ma ke as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Has a patented! handle for easier carrying. A protective wrapper around the reel. Is strong as common barbed wire. High carbon steel wire, that needs no stretching. Will not sag, resists temperature changes. Out-last any other common 12-1/2 gauge barbed wire. Class III galvanization. 50% lighter than common barbed wire, costs 25% less.
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Ghostbusters Double Feature Gift Set (Ghostbusters / Ghostbusters 2 + Commemorative Book)

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NOVA - Galileo's Battle for the Heavens

  • At a time when heretics were burned alive for dissent, scientist Galileo Galilei risked his life to advance his revolutionary concepts of the universe. British actor Simon Callow (Shakespeare in Love, Four Weddings and a Funeral) brings Galileo to life, humanizing the great thinker s passion, intelligence, and arrogance while depicting his frustrations with fellow philosophers and scientists, and
Marcos (Marcos Hernandez) is the middle-aged chauffeur of Ana (Anapola Mushkadiz), daughter of a Mexican general who amuses herself by working as a prostitute in a high-end brothel. Marcos and his wife (Berta Ruiz) have kidnapped a baby for ransom but it went tragically wrong when the infant died. When he confesses his guilt to Ana, a bond of secrecy consecrated by the flesh unites them. As the police draw closer, she urges him to turn himself in but instead he seeks redemption from a higher power.Battle In Heaven, Carlos Reygadas’ follow-up to Japón, opens with a controversial oral sex scene involving beauty, Ana (Anapola Mushkadiz), and the beast, Marcos (Marcos Hernández). Marcos is Ana’s chauffeur, who has kidnapped and accidentally killed a baby. Ana, a general’s daughter by day and a prostitute by night, confides in Marcos and performs sexual favors for him in order to persuade him to turn himself in. She is too young, however, to understand Marcos’s confused mental state, and her sensitive position with him puts her in peril. Set in Mexico City, this tragic drama is as much about failed intimacy as it is about Mexican class structure, as Ana and Marcos attempt to bridge the class gap. A few explicit sex scenes show Marcos in bed with Ana or his wife (Bertha Ruiz), thus garnering it reviews that compare it to The Brown Bunny. In fact, the slow pacing and artsy, self-consciously composed shots do remind one of The Brown Bunny,! in that both films are initially interesting but grow dull as! their p lots take forever to unfold. An intriguing plot is buried under seemingly eternal panoramic shots of the city, painfully slow conversation between characters, and constant close-ups of Marcos’ face that are meant to capture his angst but only deter narrative. Nevertheless, this film’s merit is based in its experimental energy, and any director who follows up a graphic sex scene with a cut to the waving of the country’s flag (in this case Mexico’s) has my respect. --Trinie DaltonSpain released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Spanish ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Biographies, Deleted Scenes, Film Credits, Interactive Menu, SYNOPSIS: Marcos and his wife kidnap a baby for ransom money, but it goes tragically wrong when the infant dies. In another world is Ana, the daughter of the general he drives for,! who prostitutes herself for pleasure. Marcos confesses his guilt to her in his troubled search for relief. And then finds himself on his knees amidst the multitude of believers moving slowly towards the Basilica in honor of the Lady of Guadalupe. SCREENED/AWARDED AT: Cannes Film Festival, European Film Awards, ...Battle in Heaven ( Batalla en el cielo )The Brown Bunny is both a love story and a haunting portrait of a lost soul unable to forget his past. After finishing a motorcycle race in New Hampshire, Bud Clay (Vincent Gallo) loads his racing bike into the back of his van and begins a cross-country odyssey to Los Angeles, where he is to compete in another race. During his trip, he meets three very different women: Violet, a wholesome all-American gas station attendant; Lilly (Cheryl Tiegs), a fellow lost soul he connects with at a highway rest stop; and Rose, a Las Vegas prostitute. Throughout his journey, Bud can never escape his intense feelings for the love of his li! fe, Daisy (Chloë Sevigny), so he plans to reconcile with her ! when he reaches Los Angeles. Arriving in Los Angeles, Bud checks into a motel before visiting the abandoned home he once shared with Daisy. He leaves a note, hoping she will turn up at his motel room . . .Building to a notorious climax, the film presents one of the frankest portrayals of male sexuality ever seen in American cinema.After its scandalous screening at the 2004 Cannes film festival, Vincent Gallo's The Brown Bunny was cut from 118 to 92 minutes, and that made all the difference. The film that critic and long-time Cannes attendee Roger Ebert originally called "the worst film in the history of the festival" was transformed, by Gallo's judicious editing, into a perfectly acceptable if not universally respected art-house curio, widely criticized yet ripe for cult status, able to stand beside Gallo's Buffalo 66 as the work of a genuine artist with a singular vision. Yes, that vision is self-indulgent, narcissistic, and likely to turn off a majority of viewers wi! th its glacial pace and endless shots of Gallo driving, driving, and driving some more. But in portraying a melancholy motorcycle racer who drives cross-country while mourning a private loss that remains secret until the final scenes, Gallo gives us a character, and a film, that feels spiritually akin to such early '70s classics as Five Easy Pieces and Two-Lane Blacktop. It's a flawed yet ultimately moving example of maverick, unconventional cinema, and while Chloe Sevigny's explicit oral sex scene with Gallo is completely unnecessary, it's just one more element that places The Brown Bunny firmly, and refreshingly, out of the mainstream. --Jeff ShannonAt a time when heretics were burned alive for dissent, scientist Galileo Galilei risked his life to advance his revolutionary concepts of the universe. British actor Simon Callow (Shakespeare in Love, Four Weddings and a Funeral) brings Galileo to life, humanizing the great thinker’s passion, int! elligence, and arrogance while depicting his frustrations with! fellow philosophers and scientists, and with Roman Catholic church leaders.

Based on Dava Sobel’s best-selling biography Galileo’s Daughter, this two-hour film offers a vivid re-imagining of Galileo’s incredible achievements that forever changed the way we view our place in the universe. It also investigates the momentous personal and spiritual conflicts Galileo faced- most especially in defending the controversial theory that the earth revolves around the sun.

Join noted Galileo authorities and experience the remarkable life behind the discoveries, and see letters from his illegitimate daughter, Maria Celeste, a cloistered nun, have shed new light on Galileo’s pioneering telescopic observations, his fateful Inquisition trial for heresy, and life in the seventeenth century.

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My Boy Jack

  • Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred
They share the same birth month, so the orphanage calls them December Boys. But these teens â€" Maps, Spit, Spark and Misty â€" have much more in common. With no hopes of ever joining a family, they form their own familial bonds. Then the unexpected news comes that a young couple may adopt one of them, and the long-time pals suddenly share something else: a rivalry to be the chosen one.Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept! up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred, determined that his son should go to the front, like countless other sons, and fight for the values that he, Kipling, espouses so publicly. Using his fame and influence, Kipling persuades Lord Roberts, on his death bed, to get Jack a commission in the Irish guards. This intervention is barely tolerated by Carrie and daughter Elise (Carey Mulligan), as they disagree that Jack is fit to fight and fear for his safety on the front line. Jack is instantly popular with his troop he is a great leader and trains tirelessly to overcome the disability that is his eyesight. Six months later Jack sails to France as a lieutenant. Jack went missing in action during the Battle of Loos and his mother a! nd father carried out an increasingly desperate search for him! , spanni ng many years and many miles.

DVD Features:
Deleted Scenes
Interviews

As affecting as it is thought-provoking, ITV's My Boy Jack illustrates the dangers of unbridled patriotism. To grow up the child of a famous author is burden enough, but when the boy must embody the beliefs of the man, the consequences can be devastating. In the case of John "Jack" Kipling (Harry Potter's Daniel Radcliffe in his most mature role to date), 17-year-old son of Rudyard Kipling (Four Weddings and a Funeral's David Haig), his father's passion for King and Country leads to a preventable tragedy. Based on Haig's play, the proceedings begin in 1914, prior to the outbreak of World War II. Jack attempts to join the army and the navy, but both reject him due to severe shortsightedness, so Kipling Sr. pulls strings to place him with the Irish Guards. Jack's sister, Elsie (Bleak House's Carey Mulligan), and American-born mother, Caroline (a! brunette Kim Cattrall), would rather he serve the war effort at home. Through hard work and determination, Jack scales the ranks from private to lieutenant, but goes missing in France, and many months pass before the family solves the mystery of his disappearance. In the end, My Boy Jack, which aired in England on Remembrance Day, concerns itself more with paying tribute than apportioning blame, and Haig skillfully portrays Kipling's guilt in putting his son in harm’s way and pride in a brave soldier who "played his part properly." Special features include interviews and deleted scenes. Parental advisory suggested due to situation-appropriate language and teen smoking. --Kathleen C. Fennessy
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