- One 16-ounce canister protein drink mix
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A harried workaholic, Michael Newman (Adam Sandler) doesn't have time for his wife (Kate Beckinsale) and children, not if he's to impress his ungrateful boss and earn a well-deserved promotion. So when he meets Morty (Christopher Walken), a loopy sales clerk, he gets the answer to his prayers: a magical remote that allows him to bypass life's little distractions with increasingly hysterical results. But as Michael gleefully mutes, skips and scans past his family and his friends, the remote gradually takes over his life and begins to program him, in this fast, funny and out-of-control comedy adventure.
Click is a high-concept, low-brow variation on
It's a Wonderful L! ife that will have Adam Sandler fans laughing even as it leaves Frank Capra spinning in his grave. In their third collaboration (after
The Wedding Singer and
The Waterboy, Sandler and director Frank Coraci aim at the lowest common denominator and consistently hit their target, from scary casting (David Hasselhoff as Sandler's shallow, sexist boss; Sean Astin in a tight red Speedo) to a rancid menu of fart jokes, fat jokes, oversexed dogs, and other attempts at humor that rarely rise above the level of grade-school pranks. Sandler's "family comes first" sentiment somehow manages to survive the onslaught of rude, crude attitude that Sandler brings to his role as Michael Newman, a workaholic architect who learns the hard way that, well, family comes first. This happens after Newman gets a magical remote control from Morty (Christopher Walken, the film's one and only highlight), an eccentric oddball in the "Beyond" section of a Bed, Bath & Beyond store who's a! devilish version of
Wonderful Life's benevolent guardi! an angel . But Sandler's no James Stewart as he uses his techno-marvel (complete with a DVD-like "life menu") to fast-forward through his life's most unpleasant moments, only to realize that he's been missing lots of good stuff, too. With Kate Beckinsale as Newman's neglected wife, impressive older-age make-ups by Rick Baker and a lot of digital wizardry to beef up the humor,
Click won't disappoint Sandler's established fan base, and its $40 million opening weekend offered ample proof that Sandler's box-office clout remains remarkably consistent.--Jeff Shannon
Stills from Click (click for larger image)
You know the feeling. You meet someone newâ€"at a party or at workâ€"and you just hit it off. There is an instant sense of camaraderie.
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In a word, you “click.â€
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From the bestselling authors of Sway, Click is a fascinating psychological investigation of the forces behind what makes us click with certain people, or become fully immersed in whatever activity or situation we’re! involved in. Â
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From two co-workers who fall head ! over hee ls for each other while out to dinner and are married a month later (and fifteen years later remain just as in love), to a team of scientists who changed the world with the magic of their invention, these kinds of peak experiences, when our senses are completely focused on the moment, are something that individualsâ€"and companiesâ€"strive to achieve. After all, when you’re in the “zone,†you’re happier and more productive. Why is it that we click in certain situations and with certain people, but not with others? Can this kind of magical connection be consciously encouraged? Is there a way to create such peak experiences, whether on a date or in your job?Â
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According to Ori and Rom Brafman, there is.Â
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In a powerful, story-driven narrative that weaves together cutting-edge research in psychology and sociology, the Brafmans explore what it means to “clickâ€: the common factors present when our brain and senses are fully engaged. They id! entify five “accelerators†that increase the likelihood of these kinds of magic connections in our work and relationships.
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From actors vying for a role on a popular TV series to police officers negotiating with hostage takers, we learn how one can foster an environment where we can click with another person and shape our thinking, behavior, and emotions.
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A fascinating journey into how we engage with the world around us, Click will transform our thinking about those moments when we are in the zone and everything seems to fall into place.
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Acclaim for Sway:
“A provocative new book about the psychological forces that lead us to disregard facts or logic and behave in surprisingly irrational ways.†â€"New York Times
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“A unique and compulsively readable look at unseen behavioral trends.†â€"Fortune
"A breathtaking book that will challenge your every thought, Sway hovers above ! the intersection of Blink and Freakonomics."--To! m Rath, coauthor of the New York Times #1 bestseller How Full Is Your Bucket?
“[An] engaging journey through the workingsâ€"and failingsâ€"of the mind…Their stories of senselessness…are as fascinating as the lessons we learn from them.†â€"Fast Company
"Count me swayed--but in this instance by the pull of entirely rational forces. Ori and Rom Brafman have done a terrific job of illuminating deep-seated tendencies that skew our behavior in ways that can range from silly to deadly. We'd be fools not to learn what they have to teach us."--Robert B. Cialdini, author of New York Times bestseller Influence
"If you think you know how you think, you'd better think again! Take this insightful, delightful trip to the sweet spot where economics, psychology, and sociology converge, and you'll discover how our all-too-human minds actually work."--Alan M. Webber, founding editor of Fast Company
From the Hardcover! edition.Farmer Brown has a problem. His cows like to type. All day long he hears
Click, clack, moo.
Click, clack, moo.
Click, clack, moo.
But Farmer Brown's problems REALLY begin when his cows start leaving him notes...Come join the fun as a bunch of literate cows turn Farmer Brown's farm upside-down! This package includes a paperback book along with a CD of country music star Randy Travis reading this New York Times bestseller!The literacy rate in Farmer Brown's barn goes up considerably once his cows find an old typewriter and begin typing. To the harassed farmer's dismay, his communicative cows quickly become contentious:
Dear Farmer Brown,
The barn is very cold at night. We'd like some electric blankets.
Sincerely,
The Cows
When he refuses to comply with their demands, the cows take action. Farmer Brown finds another note on the barn door: "Sorry. We're closed. No mi! lk today." Soon the striking cows and Farmer Brown are forced! to reac h a mutually agreeable compromise, with the help of an impartial party--the duck. But this poor, beleaguered farmer's "atypical" troubles are not over yet!
This hilarious tale will give young rebels-in-the-making a taste of the power of peaceful protest and the satisfaction of cooperative give and take. Witty watercolors by award-winning illustrator Betsy Lewin (Snake Alley Band, Araminta's Paint Box) will make this a favorite for one and all, even if words such as "ultimatum" and "neutral" throw the younger set. (Ages 5 to 8) --Emilie CoulterA harried workaholic, Michael Newman (Adam Sandler) doesn't have time for his wife (Kate Beckinsale) and children, not if he's to impress his ungrateful boss and earn a well-deserved promotion. So when he meets Morty (Christopher Walken), a loopy sales clerk, he gets the answer to his prayers: a magical remote that allows him to bypass life's little distractions with increasingly hysterical results. ! But as Michael gleefully mutes, skips and scans past his family and his friends, the remote gradually takes over his life and begins to program him, in this fast, funny and out-of-control comedy adventure.Click is a high-concept, low-brow variation on It's a Wonderful Life that will have Adam Sandler fans laughing even as it leaves Frank Capra spinning in his grave. In their third collaboration (after The Wedding Singer and The Waterboy, Sandler and director Frank Coraci aim at the lowest common denominator and consistently hit their target, from scary casting (David Hasselhoff as Sandler's shallow, sexist boss; Sean Astin in a tight red Speedo) to a rancid menu of fart jokes, fat jokes, oversexed dogs, and other attempts at humor that rarely rise above the level of grade-school pranks. Sandler's "family comes first" sentiment somehow manages to survive the onslaught of rude, crude attitude that Sandler brings to his role as Michael Newman, a wor! kaholic architect who learns the hard way that, well, family c! omes fir st. This happens after Newman gets a magical remote control from Morty (Christopher Walken, the film's one and only highlight), an eccentric oddball in the "Beyond" section of a Bed, Bath & Beyond store who's a devilish version of Wonderful Life's benevolent guardian angel. But Sandler's no James Stewart as he uses his techno-marvel (complete with a DVD-like "life menu") to fast-forward through his life's most unpleasant moments, only to realize that he's been missing lots of good stuff, too. With Kate Beckinsale as Newman's neglected wife, impressive older-age make-ups by Rick Baker and a lot of digital wizardry to beef up the humor, Click won't disappoint Sandler's established fan base, and its $40 million opening weekend offered ample proof that Sandler's box-office clout remains remarkably consistent. --Jeff ShannonClick Espresso Protein Drink is the all-in-one energy drink with a rich mocha flavor. It contains 23 vitamins and minerals, a double shot! of espresso, 15g protein, and 120 calories in a 12-ounce serving. No artificial colors or flavors. Click is a tasty alternative to sugary coffee and energy drinks.
Why the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be†was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head? 
